1. Yingshan cultural heritage and local characteristics of Yingshan Flower Drum Yingshan was once a tribe of Gao Yao, a place where Yingbu was granted the title of Marquis in the Han Dynasty, and the hometown of Bi Sheng in the Song Dynasty. Now Yingshan is a county of writers. It is the intersection of Jianghuai culture, Jingchu culture, northern and southern culture, and Buddhist culture. The tea-picking opera, which is considered the mother of the three major operas of Beijing, Han, and Chu, has been performed here for thousands of years. The basic vocal style of the globally popular Huangmei Opera also originated here. Yingshan folk music with Guan Gong Chu rhyme - Yingshan Flower Drum, has various artistic forms, passed down from generation to generation, and has a unique typical local color. It is played in weddings, funerals, Buddhist and Taoist sacrifices, or daily life, and has a unique typical Dabie Mountain rural flavor. 2. Schools and performance art of Yingshan Flower Drum. Yingshan flower drum has various forms and is rich and colorful. It consists of four types: 1. Tianhua drum (also known as playing flower drum, local story, circle drama); 2. Dihua drum (also known as singing flower drum, singing and singing 1); 3. Nandiao flower drum; 4. Beidiao flower drum. These four types of flower drums have their own characteristics and styles in terms of repertoire content, performance art and music tunes, forming different schools. 1. Tianhua drum: It focuses on percussion to set off the atmosphere, with gongs and drums as accompaniment, and singing while playing. 2. Local drum: This form of flower drum performance has both percussion to set off the atmosphere and string and bamboo instrument accompaniment. Most of them are 1 singing, one person sings and everyone sings, playing and singing by themselves. 3. Nandiao flower drum: Nandiao flower drum is different from Tianhua drum and Dihua drum. This type of flower drum is popular in Nanhe. Few people sing in Dongxi and Erhe. Its repertoire is mainly singing "Fengyang Song", and there are also improvisations of singing customs. The lyrics are mostly in the form of "four sentences looking back" with seven-character sentences, and the supporting words and sentences are fully used. The performance form is one man and one woman, the man holds a small gong, and the woman carries a flower drum. The movements are broken down, the shapes are frequent, and the performance is beautiful. The melody is light and gentle. 4. Beidiao Huagu: "The northern accent is not as good as the southern accent, and the southern accent is not as high as the northern accent." This is what is sung in the lyrics of playing the flower drum, and it is indeed true. The northern tune flower drum, which is popular in Yingshan Caopan and Leidian, has a high and passionate voice, a distinct rhythm, and gongs and drums accompaniment. It is commonly known as "playing the sutra". The performance is free, and the repertoire is mostly based on local customs and people, and chanting objects and expressing feelings. Yingshan Huagu, a folk art form, is also like everything else. It is not static. It has been gradually developed through the mutual exchanges and influences of people's lives and various art forms from ancient times to the present, and through the oral and personal teaching of the broad masses of people from generation to generation. After the founding of New China, Yingshan created a large number of new and excellent lyrics and music. While digging and collecting the source of Yingshan Flower Drum, it also sorted and adapted it at different times. It participated in provincial, local and even national amateur performances and won awards. It was also filmed and broadcasted on TV programs and received positive reviews from the society. As a result, Yingshan Flower Drum has regained people's attention in the new century.