The Pinghu School is represented by Li Fangyuan. The Li family is a pipa-playing family[1], with five generations of pipa players. Li Fangyuan's father often traveled with his pipa and visited famous artists. Under the influence of his family, Li Fangyuan called himself a "pipa addict". Not only did he have outstanding skills, but he also compiled the "New Pipa Scores of the Southern and Northern Schools", which was published in the 21st year of the reign of Emperor Guangxu of the Qing Dynasty. Later generations called it "Li's Genealogy". The school taught by Li was called the Pinghu School. The Pinghu School was passed down from generation to generation by Li Qiyu, Li Fangyuan, Wu Mengfei, Wu Bojun, Zhu Xingqing (Zhu Ying), etc., and there are "New Pipa Scores of 13 Sets of Southern and Northern Schools", "Yiyi Room Pipa Scores", "Zhu Ying Pipa Scores" and so on. Wu Mengfei was taught by Li Fangyuan himself, and later learned from Li Qiyu's student Zhang Ziliang. He often performed in Shanghai and had a wide range of artistic activities. He made positive contributions to the promotion of the Pinghu School. Zhu Xingqing learned from Li Fangyuan's disciple Wu Bojun. In response to the "Hua Shi Pu" "Only two fingers of the left hand are not used to press the strings", he pioneered the method of using the left thumb to press and support, and broke through the practice of not using the little finger to press the notes. Pinghu School's performances are both civil and martial. The civil music is delicate and often accompanied by virtual soothing movements to enhance the lingering sound. The martial music emphasizes momentum and is mainly based on the lower wheel (the "General's Order" uses the upper wheel). Pinghu School Pipa has a considerable influence on the formation of various styles of Pipa today.