Fuzhou tea-picking opera is one of the local operas in Jiangxi. In the late Ming Dynasty, tea lanterns from eastern Jiangxi were introduced to Dongxiang and Jinxian counties in Fuzhou, where they were integrated with flower drums and horse lanterns. The Dongxiang County Chronicles of the Qing Dynasty recorded: "People who like to play tea on the Lantern Festival may accompany dragon lanterns, horse lanterns, bridge lanterns, etc., mixed with yangko tea picking, and go to villages to ask for tea and fruit, and stop at the end of the first month." It flourished during the Spring Festival. In the early Qing Dynasty, a triangle class was formed in the western mountainous area of Fuzhou. The roles were usually one male and one female, plus a drummer sitting in the hall, singing single stage and small plays. At the same time, a "bench play" became popular in urban and rural areas, which was played and sung, and was active in teahouses, wine shops and village households, which promoted the widespread spread of the triangle class and the improvement of its art. In the late Qing Dynasty, the Fuzhou triangle class developed into a half class. Some artists went to Yihuang to learn Yihuang opera performance and robe and belt opera. The roles were increased to two lines: young man and painted face, and the singing style was added with erhu, sanxian, flute and suona accompaniment. This new type of tea-picking half-shift was popular on both sides of the Fuhe River. The traditional repertoire of Fuzhou tea-picking opera can be divided into three types: 1. Single-stage opera, about 40 or so. The so-called single-stage opera is that a female role (or clown) goes on stage to sing, singing "Baifu" at the beginning, "Dacai" in the middle, and "Xietai" at the end. For example, in "Counting the World Maps", the actors beat chopsticks to help the rhythm, singing about history, scenic spots, products, etc. 2. Small opera, about 60 or so. The content focuses on reflecting the life and love of the working people, and some are fragments of folk legends. 3. The whole play. It comes from the opera scripts published in the market, or transplanted foreign operas and temporary compilation of news anecdotes. The lyrics and recitation of Fuzhou tea-picking opera use a lot of folk idioms and two-part allegorical sayings, which are humorous and interesting. Many performances come from life, such as picking tea and mulberry, rowing boats and hoeing the land, carrying loads and pushing mills, driving cattle and chickens, sewing and washing, embroidering and making shoes, etc. Singing styles are divided into three categories: main tune, miscellaneous tune and minor tune: main tune, banqiang body. There are four types: Bendiao, Fudiao, Dantaidiao and Chuandiao. Miscellaneous tunes are generally named after the name of the opera, such as [San Ya Zi Fang Niu Tune] [Jia Chun Mushroom Tune] [Mai Cherry Tune], etc. Minor tunes are minor tunes of single-stage operas, such as [Da Li Lian Hua] [Shi Er Yue Cai Cha] [Shi Bei Jiu], etc. Most of the interlude tunes of Fuzhou Cai Cha Opera come from puppet opera, Yihuang Opera and folk wind and percussion instruments, and the accompanying instruments include Gaohu, Sanxian, Pipa, Suona, flute, etc.