Jianping paper-cutting is a major school of paper-cutting in Northeast China. The precipitation of 5,000 years of brilliant culture, the immersion of multi-ethnic customs, and the influence of unique geographical environment have formed Jianping's rough and romantic paper-cutting art with Mongolian shaman culture as the main body and Mongolian and Han cultures combined. Jianping's special geographical location determines its unique paper-cutting art. From the Spring and Autumn Period to the Ming and Qing Dynasties, it was inhabited by ethnic minorities such as Shanrong, Donghu, Xiongnu, Xianbei, Wuhuan, Mongolia, and Khitan for most of the time. The Mongolian tribes have been entrenched here for the longest time. Since the middle of the Qing Dynasty, a large number of Han people have gone out of the customs, bringing paper-cutting from Shandong, Shanxi, Shaanxi and other places, and integrating with the paper-cutting art of other ethnic minorities, gradually forming the Jianping paper-cutting style. Jianping paper-cutting works use the method of unity of opposites in art, with white as the main tone, and the lines and surfaces are cleverly combined, set off each other, with strong contrast and rich rhythm; the shapes are naive and rough but not rigid, and exaggerated and deformed without distortion. The things cut are rough and beautiful, simple and exquisite, exquisite, simple and lovely. Using Yin shearing and Yang shearing techniques, skillfully using large blocks and thin lines, and making good use of sawtooth patterns and crescent patterns, there are rules but no constraints, and the art effects of rough and exquisite, simple and elegant, vivid and vivid are cut out. Jianping's paper-cutting art was at its peak in the early 1980s, with a large number of excellent works participating in provincial and above exhibitions. Since the death of Zhao Lianxiu, the old artist with the highest artistic achievements, the number of exhibited works in the county has decreased year by year. At present, experienced authors are all old and their physical conditions no longer allow them to continue to create. It can be said that the old paper-cutting artists are like "living cultural relics". Once these old artists leave one after another, the reality of "the death of people and the extinction of art" will be unavoidable. In 2005, in order to protect and inherit Jianping paper-cutting art, Jianping County included the rescue and protection of paper-cutting in Jianping County's "Eleventh Five-Year Plan" for the first time, and established a leading group for the rescue and protection of paper-cutting, planning to invest more than 4 million yuan to rescue and protect Jianping paper-cutting, a folk art, leaving more precious wealth and wisdom for my country's paper-cutting art to be passed down from generation to generation.