Guanzhong Daoqing Shadow Play is one of the forms of Guanzhong Daoqing singing. It is different from ordinary shadow plays. There is only one in Shaanxi with a unique style. It is a performance group that takes shadow play as the form and mainly sings with accompaniment. Lintong Guanzhong Daoqing Shadow Play has a long history. In May 2007, it was listed in the Shaanxi Province Intangible Cultural Heritage List. In June 2008, it was selected as the intangible cultural heritage of Xi'an. Guanzhong Daoqing appeared in the form of shadow play singing, around the Qianlong period of the Qing Dynasty (1736-1795). During this period, Xi'an and other areas of Guanzhong appeared troupes specializing in Daoqing plays, and they were able to perform large-scale plays with complete plots and vivid characters, such as "Five Fruits Fighting for Immortality" and "Stone Buddha Clothes". Guanzhong Daoqing does not have percussion instruments in the stage of sitting around the table and stepping on the square. Only fishing drums, simple boards and three-talent boards are used to beat the festival. The artists are known as "fishing drums that stand tall and upright, and simple boards that subdue dragons and tigers." After the shadow play performance, percussion instruments were added. The percussion instruments used are similar to those of Qinqiang and other operas, including bangu, leather bangzi, gong, cymbals, cloud gong, etc. The instruments used in the cultural venues were originally mainly leather string huqin, accompanied by flute. Later, banhu, erhu, sanxian, guanyu, suona, bangling, yangqin, cello, etc. were added, making the singing music of Daoqing Opera both elegant and moving, and very expressive. In the late Qing Dynasty, a group of classes specializing in Guanzhong Daoqing Shadow Play appeared in Lintong area. In 1862-1982, Li Shizhong from Haijiazhuang, Xingzhe Township, founded the "Shangluo Daoqing Shadow Play Class". Li Shizhong's ancestral home is Shangxian County. His father moved to this county in the early years of the Tongzhi period of the Qing Dynasty (about 1862) and brought the ancestral Shangluo Huagu Daoqing Shadow Play. Among the three generations, they can sing forty or fifty plays. During the "Great Leap Forward" in 1958, it was incorporated into the "Huaqing Troupe Shadow Puppet Team" and then operated independently. In terms of business, it was guided by the county cultural center. It participated in the provincial drama and repertoire report performances twice, such as "Mr. Dongguo Saves the Wolf", and won performance awards. It stopped in 1982. Ge Jingshou from Xinshi Village, Xinshi Township, established a shadow puppet society during the Tongzhi period of the Qing Dynasty. Later, he performed with Xia Wa and others from Weinan County. Ge died on the eve of the "Xi'an Incident" in 1936, and the play was stopped. Li Mengyuan's troupe in Pangyan Village, Zhili Township, led the troupe to perform shadow puppetry in the late Qing Dynasty. It started with Meihu and later added puppets. When it was old, it was hosted by his son Jinwazi until after liberation. Li Qingji from Lijia Village, Xinshi Township, joined the self-entertainment troupe in his 20s and learned to play the sanxian and banhu. In the early years of the Republic of China, after accepting the shadow puppet box of someone in Fuping, he led the troupe to perform in other places. Sun Laowuban of Sunjia Village, Lingkou Township, was born in Hua County. He married into the family of a man in Lingkou Xiyuan in the late Qing Dynasty. He started singing the Wanwanqiang shadow play in 1909, and his son Sun Fahong continued to sing when he was old. In 1981, he was incorporated into the "Lingkou Cultural Station Shadow Play Troupe" and performed in various places in Guanzhong. Du Shurenban of Dujia Village, Youhuai Township, worked as a shoemaker when he was young and joined the shadow play troupe in his 30s. He was famous in the village for his unique singing style and was called "Shoemaker Red". Around 1921, he led his own troupe to perform in various places. In 1890-1953, Wutun Fangcun, Li Huchen (host) and Du Shengchu (leader) founded the "Wanwanqiang" shadow play troupe. Du Shengchu, a native of Dali, joined Bai Dan'er in Dali at the age of 19 and learned Wanwanqiang. He served as the leader of Weinan Banqiao, Changjia, Pucheng Huijia and Lintong Lijia (the longest) for more than 50 years. Du was able to write plays, act and play, and his singing was good, he paid attention to phonology, and he was proficient in piano and drums. He was praised as "the one flag". His singing segments were once performed by Shanghai Pathé Company. Recorded a record. After liberation, the company participated in the Shaanxi Province Shadow Play Festival. The Drama Reform Department of the Cultural Department of the Northwest Military and Political Committee once recorded more than 50 famous plays he performed. In 1906-1929, Bi Qilin and Bi Siniu from Liushu Village, Xiekou Town, founded the Guanzhong Daoqing "Shadow Play Troupe". They performed Qinqiang puppets during the day and Guanzhong Daoqing at night. Bi Qilin was good at singing, and could lift and elbow, with harmonious movements. After Bi, his nephew Bi Siniu took the lead. The performance was stopped during the famine in the 18th year of the Republic of China (1929).