Poyang has been known as a place with "boats and cars everywhere and merchants gather everywhere" since ancient times, and its handicraft industry has always been developed. The production of bodiless lacquerware in this area has been popular for a thousand years. According to experts, Poyang bodiless lacquerware originated in the pre-Qin period, and after being passed down from generation to generation, it made a leap in the late Qing Dynasty. At that time, Poyang was full of lacquer craftsmen and workshops, and there were 30 lacquer shops in Poyang Town alone. In 1915, Zhang Xizhen took Poyang bodiless lacquerware to the Panama World Expo and won praise, which made it famous. Around 1949, there were more than 80 lacquer businesses in the area. In the 1960s and 1970s, Poyang bodiless lacquerware became a major export product of Jiangxi light industry, with more than 300 products. It has been sold to more than 20 countries and regions including Japan and the United States, with a total of 66,000 pieces (sets), earning more than one million yuan in foreign exchange. With the development of modern science and technology, the industry has gone from prosperity to decline. The Poyang Bodiless Lacquerware Factory also closed down, and many workers changed their jobs. At the beginning of the 21st century, with the efforts of all parties, Jiangxi Poyang Bodiless Lacquerware Co., Ltd. was established, and the lacquerware making skills gradually opened a new era. There are many types of Poyang bodiless lacquerware. From the body, there are wood, bamboo, leather, ramie, rattan, and bamboo, etc. The most popular is the wood body. In terms of production technology, there are carving, inlaying, and gilding. Its most prominent feature is that it is light and exquisite, with a mirror-like color, simple and noble, and elegant charm. The finished product of bodiless lacquerware is not afraid of heat, not easy to break, and does not lose the taste of food. It is anti-corrosive and acid-resistant. It can be used as a craft ornament or a practical household item. Bodiless lacquerware is made by mounting summer cloth or silk on the mold, applying several layers of paint ash, removing the inner mold to form the shell after drying, and then filling ash, painting, polishing, and decorating it many times. There are two main methods for making it: one is the overall processing, for smaller utensils, wood is chiseled, and research, carving, and tumbling are used; the other is split processing, and then glued into a whole. After the invention of bodiless lacquerware, larger or more complex shapes still need to go through processes such as mold, cutting, and sticking. The uniqueness of Poyang bodiless lacquerware also lies in the fact that its bodiless method adopts solidification forming, which eliminates the processes of cutting and sticking, and only requires one forming. This process enhances the firmness of bodiless lacquerware, and makes the inner wall smooth and traceless, the forming is simple and fast, and the process is exquisite and beautiful. Its entire production process has nearly 80 processes, mainly including: lacquer making, mold making, bodiless painting, polishing, decoration, and matting. Poyang bodiless lacquerware has important historical and cultural value. After generations of inheritance and development, it has gradually become perfect and has become an artistic treasure of Chinese civilization. It integrates art, craftsmanship, and technology, and has both practical value and collection value.