Xifeng District of Qingyang City is located in the hinterland of Dongzhiyuan and is the seat of Qingyang City. It covers an area of 996.3 square kilometers and has jurisdiction over 7 towns and 3 sub-district offices. It has a population of 327,500. It was once the cradle of the activities of the Nuwa tribe, the ancestor of Chinese humanities, the birthplace of Zhouzu and the birthplace of Chinese farming culture. The deep loess layer is the largest in the world, and the long history and culture gave birth to the folk art of clay sculpture. Xifeng clay sculpture has a long history of inheritance. From the myth of Nuwa making people with clay to the shaping of gods in the ancestral temple sacrifice activities of the pre-Zhou Dynasty, from the historical creation of gods to folk children's clay toys, and even the clay sculpture creation of art appreciation, all highlight the characteristics of the Loess Plateau and the historical and cultural accumulation. According to the two Neolithic and Paleolithic sites of Jujiayuan and Gedaqu in Xifeng District, Xifeng clay sculpture has a close relationship with pottery firing technology, which is the initial embryo and the first process of pottery firing technology. In addition, loess is used as raw material to shape various images, which is the root of Chinese primitive art. Its development has gone through a long historical period. It has not only formed a religious model of temple sculpture and painting, but also cultivated generations of clay sculpture craftsmen. In the process of inheriting various folk activities, the craftsmen and artists have integrated their personal creative spirituality into the clay sculpture. The most outstanding and influential farmer clay sculptor He Zhan'ao and his disciples Xu Heping, Wang Huazhou, Zhao Wenjing and others are typical loess school of clay sculptures, with a simple, pure and honest artistic temperament on the plateau. Mr. Jin Zhilin, a professor at the Central Academy of Fine Arts, has watched Xifeng clay sculptures many times and praised Xifeng clay sculptures as great historical art. He wrote an inscription: "Clay people, clay objects, clay world, clay sculptures of the past, present and history". The clay sculptures nurtured by history and loess plateau are characterized by naivety, simplicity, honesty and brightness. In particular, the original loess color reflects the historical charm of the original ecological culture, and the original art has been passed down to this day. It is a special masterpiece with a unique style in the category of fine arts.