Xinjiang Uygurs have a long history of weaving and dyeing techniques, among which the weaving and dyeing of flower felts and printed cloths are the most famous. Uygurs have a tradition of using wool felts. In their daily residences, all places visible to the eyes must be carefully decorated. Flower felts used for paving the kang, laying the floor, worshiping and wall hangings are among the decorations. Until the 1990s, Uygurs had never been without flower felts in their lives, and a few households with earthen kangs are still using them. The flower felt production process in Qiemo County includes embossed felts, printed felts, painted flower felts and embroidered felts. Its patterns are rich in themes, bright in color, and varied in variety, which vary from region to region. Among them are longevity patterns, Hui patterns, and Bogu patterns influenced by Han culture, as well as Arabic-style geometric and floral patterns, as well as Uygur daily necessities and tool patterns, Islamic-style purification pots, shrines and other patterns, and even Nestorian and Buddhist patterns. Flower felts are also important daily necessities for the Kazakh people, and are called "Sermak" in Kazakh. Kazakh felts are mostly double-layered, thicker than ordinary felts, tightly sewn, durable, and can be passed down for generations. They are mainly distributed in Kazakh pastoral areas such as Tacheng, Yili, Altay, Mulei, and Barkol. Tacheng is an area where Kazakhs are concentrated in Xinjiang, and felts are widely used. The production of Kazakh felts has a history of more than 2,000 years. Its raw materials mainly include wool, wool, colored cloth, dyes, etc. The entire production process consists of shearing wool, beating wool, rolling felt, drawing design, pattern dyeing, etc. The production methods include felt patching, cloth patching, felt and cloth combination, embroidery, etc. Kazakh felts mainly include cushion felts, bed felts, dowry felts, and felts used by the stove. These felts are colorful and rich in patterns, reflecting the ideals and wishes of Kazakh herdsmen, and providing specific materials for the study of Kazakh traditional culture, aesthetics, living customs, etc.; its production process and process are strict and reasonable, in line with scientific requirements, and also have research value in the history of ethnic minority crafts. At present, the advent of industrial carpet production and chemical fiber carpets has greatly impacted the market of hand-rolled and embroidered felts. Under this circumstance, most young people are unwilling to learn to make felts, and only a few elderly people have mastered this skill. The traditional felt making process has no successors and is facing the risk of being lost. Stamped earthen printed cloth is an ancient traditional handicraft of Yingjisha County, Xinjiang Uygur. People use their own woven white cloth as the base material and use relief stamping for printing. The molds used for printing and dyeing are all hand-carved from wood, and their size depends on the size of the pattern. The colors of stamped earthen printed cloth are mostly bright red, pink, fruit green, medium yellow, light yellow, etc., and the patterns are mostly made of flowers, fruits, plants, and household utensils. This kind of floral cloth is mainly used for the production of wall enclosures, wall hangings, waist scarves, menus, mattresses, curtains, etc. It has a strong national style and local color, giving people a sense of simplicity, elegance, and generosity, and is deeply loved by the Uygur people. The stamped earthen printed cloth from Yingjisha County reflects the living conditions of the local people a thousand years ago, provides data for exploring the development and changes of the Uyghur nationality, and has high historical research value.