Intangible culture with Related Tags

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Temple Fair (Miaofeng Mountain Temple Fair)

Temple fairs, also known as "temple markets", are a kind of folk belief activities held regularly in temples and their vicinity, popular throughout the country. Some large-scale temple fairs were already of considerable scale in the Tang Dynasty, and are still being passed down and have a wide influence. Various temple fairs have their own stipulated dates, most of which are traditional lunar festivals or religious and folk belief anniversaries. Temple fairs are characterized by centralization, group nature, and fixedness. During temple fairs, various folk activities and technical trade activities can be fully displayed in public, and the activities are rich and colorful. Welcoming gods and competitions are also a form of temple fairs. In the Hong Kong and Macao Special Administrative Regions of my country, as well as Taiwan, the traditional temple fairs that are popular among believers are all introduced from the mainland and have an inseparable connection with the mother body. In overseas Chinese residential areas, many temple fairs brought from the motherland are very popular, and they inherit the cultural bloodline of the Chinese nation in a special way. Miaofeng Mountain, formerly known as "Miao Gaofeng", is located in the western suburbs of Beijing, 35 kilometers away from the city center, and is under the jurisdiction of Mentougou District, Beijing. Miaofeng Mountain traditional temple fair is held twice a year, from the first to the fifteenth day of the fourth lunar month is the spring incense, and from the twenty-fifth day of the seventh lunar month to the first day of the eighth lunar month is the autumn incense, of which the spring incense is the most popular. The temple fair activity area is divided into two parts: the Niangniang Temple and the Xiangdao Teahouse. The Niangniang Temple is built on the top of the mountain and consists of buildings such as the Lingguan Hall, Huiji Temple, Huixiang Pavilion, and Yuhuangding. Miaofeng Mountain Temple Fair is one of the most important temple fairs in North China. It began in the middle and late Ming Dynasty and reached its peak in the Qing Dynasty, welcoming hundreds of thousands of pilgrims every year. There are more than 300 incense fairs, each with different sects. The head of the association is the organizer, conductor and main inheritor of the incense fair. There are more than 200 heads of association in Beijing alone. All the rules, etiquette and skills in the association are passed down by the heads of association in the form of master and apprentice. Miaofeng Mountain Temple Fair retains the traditional folk auspicious culture of North China temple fairs characterized by folk beliefs. It is an important basis for studying the worldview and living conditions of the people in North China, and has important reference value in folklore research. The incense association is a folk cultural activity organization that inherits and preserves many folk arts, folk sports and folk handicrafts, enriching the cultural life of the masses. The activities of the incense association are highly popular and entertaining, reflecting the people's self-governance ability and the spirit of public-spiritedness, modesty and mutual assistance in traditional society.

Heritage with Related Tags

According to the tag you have selected, we recommend related heritage that you might be interested in through an AI-based classification and recommendation system.
Zhengyang Gate

Zhengyangmen is a group of city gate buildings with both defense and city management functions during the Ming and Qing Dynasties. As the south gate of Beijing's inner city in the Ming and Qing Dynasties, Zhengyangmen is the largest and most advanced city gate building among the inner and outer city gates of Beijing. It witnessed China's traditional city management methods and is an important viewpoint for overlooking Tiananmen Square, the buildings and the southern section of Beijing's central axis. Zhengyangmen is located at the southern end of Tiananmen Square. It consists of two tall buildings, the city tower and the arrow tower, which are arranged in a north-south column. The city tower is located in the north and the arrow tower is located in the south. As the south gate of the inner city in the Ming and Qing Dynasties, Zhengyangmen has a very high national etiquette symbolic significance. Its building scale and form level are higher than other city gates. It is a landmark building of the city wall structure of the old city of Beijing. From the city tower to the north, you can overlook Tiananmen Square. From the arrow tower to the south, you can overlook Qianmen Street and the Yongdingmen city tower in the distance. As the south gate of Beijing's inner city, Zhengyangmen integrates defense, city management and etiquette. The imperial road under Zhengyangmen was specially used for the emperor to worship in the southern suburbs and hunt in the Nanyuan. On weekdays, the gates of the arrow towers were closed, and residents entered and exited from the side doors under the gatehouses on the east and west sides. The curfew system was implemented in the Ming and Qing dynasties, and the city gates opened and closed according to the time of the bell and drum tower to achieve urban management. In the early 20th century, the transformation of the Zhengyangmen area witnessed the process of publicization of Beijing's central axis. Today, Zhengyangmen is open to the public as a museum. Zhengyangmen was first built in the 17th year of Yongle in the Ming Dynasty (1419). At first, there was only a city gate. From the first year of Zhengtong in the Ming Dynasty (1436) to the fourth year of Zhengtong (1439), the tower, the city wall, the arrow tower, and the east and west gatehouses were added, and the Zhengyang Bridge and the archway were built to the south of the arrow tower. During the Ming and Qing dynasties, Zhengyangmen was repeatedly damaged to varying degrees and rebuilt. With the completion of Zhengyangmen West Station of the Beijing-Han Railway and Zhengyangmen East Station of the Beijing-Qin Railway, the Zhengyangmen area became the hub of Beijing's external transportation in modern times, and the traffic flow in the surrounding areas increased dramatically. From 1914 to 1915, the Kyoto Municipal Office renovated the Zhengyangmen area, which is an important witness to the publicization process of Beijing's central axis. In 1990 and 1991, the Zhengyangmen Arrow Tower and the City Tower were opened to the public as museums.

Li Shaochun Memorial Hall

The Li Shaochun Memorial Hall was planned and written by a famous opera critic and architectural expert. During the preparation process, the opinions of Li Shaochun's relatives were sought many times; dozens of leaders of higher-level departments, well-known opera critics and famous opera performing artists were invited twice to come for guidance; more than ten provinces and cities were visited, experts, scholars, insiders, collaborators, etc., and materials for the construction and exhibition were collected from many sources. With the strong support of people from all walks of life, the Li Shaochun Memorial Hall was opened on November 4, 2006, the 87th anniversary of Li Shaochun's birth. The Li Shaochun Memorial Hall is located on Yijin Middle Road in Bazhou City. It consists of three parts: the VIP Hall, the exhibition hall entrance and the classical small theater, with a total area of 3,000m2.