Intangible culture with Related Tags

According to the tag you have selected, we recommend related intangible culture that you might be interested in through an AI-based classification and recommendation system.
Lacquer carving technique

The Beijing lacquer carving technique is a technique of applying a certain thickness of natural lacquer on the base, and then using a knife to carve patterns on the piled-up flat lacquer base. The carved lacquerware products are simple in shape, exquisite in decoration, bright in color, elegant in form, and are moisture-proof, heat-resistant, acid-resistant, alkali-resistant, non-deformable, and non-deteriorating. It embodies the superb skills and wisdom of Chinese arts and crafts artists and is a treasure of the traditional crafts of the Chinese nation. The carved lacquerware technique originated in the Tang Dynasty. Due to Beijing's special political, economic and cultural background, it finally settled in Beijing after the development of the Yuan, Ming and Qing dynasties. In the process of hundreds of years of development, the Beijing carved lacquerware technique has integrated the culmination of the carved lacquerware techniques of the north and south of China, and is one of the outstanding representatives of Chinese lacquerware techniques. In the 30th year of the reign of Emperor Guangxu (1904), artists Xiao Le'an and Li Maolong opened the first modern folk carved lacquerware manufacturing workshop "Jiguzhai" in Beijing. After 1949, Beijing convened the descendants of Jiguzhai lacquerware scattered among the people to establish the Beijing Lacquerware Production Cooperative. In 1958, it was transformed into the Beijing Lacquerware Factory, which became the main base for the inheritance and development of Beijing lacquerware craft. Beijing lacquerware craft products are of various types and rich in themes. Its design and creation integrate carving, painting and craftsmanship, and have solemn and elegant artistry. It plays an irreplaceable role in improving people's aesthetic literacy and beautifying life in modern society. Beijing lacquerware craft concentrates on China's long-standing cultural tradition of lacquerware craftsmanship, and is an indispensable and important content for studying traditional Chinese arts and crafts. In the 1990s, due to market transformation, long production cycle, large investment and changes in management system, the lacquerware industry shrank. Beijing Lacquerware Factory is in name only, and there are fewer and fewer real hand-made lacquerware products. The technicians in the lacquerware industry are facing the cruel reality of aging age structure and no new successors. From the current situation, the Beijing lacquerware craft that has lasted for hundreds of years is on the verge of being lost.

Heritage with Related Tags

According to the tag you have selected, we recommend related heritage that you might be interested in through an AI-based classification and recommendation system.
Mathildenhöhe Darmstadt

Located on Mathildenheuvel, the highest point in the city of Darmstadt in west-central Germany, the Artists' Colony Darmstadt was founded in 1897 by Grand Duke Ernst Ludwig of Hesse as a center for emerging reform movements in architecture, art, and crafts. The buildings of the Artists' Colony were designed by its artist members as early modernist experimental living and working environments. The Artists' Colony was expanded during successive international exhibitions in 1901, 1904, 1908, and 1914. Today, the Artists' Colony bears witness to early modern architecture, urban planning, and landscape design, all of which were influenced by the Arts and Crafts movement and the Vienna Secession. The two-part collection includes 23 elements, such as the Wedding Tower (1908), the Exhibition Pavilion (1908), the Plane Grove (1833, 1904-14), the Russian Church of St. Mary Magdalene (1897-99), the Lily Basin, the Monument to Gottfried Schwab (1905), the Pavilion and Gardens (1914), the "Swan Temple" Garden Pavilion (1914), the Ernst Ludwig Fountain, and 13 houses and artists' studios built for the Darmstadt Artists' Colony and the International Exhibition. Three house complexes built for the 1904 Exhibition are an additional component.

Beijing Baigongfang

Baigongfang is the best workshop in Beijing. After completion, the total area is 42,000 square meters, with nearly 100 art categories, and more than 100 arts and crafts masters set up special workshops and master studios here. The museum's exhibition includes the core main exhibition area, the comprehensive exhibition area, and is also equipped with an audio-visual education area, an academic exchange and discussion area, an appraisal area, and a comprehensive service area. The first phase of the project was opened at the end of 2003, and has successively received tens of thousands of Chinese and foreign tourists from all walks of life, and held academic seminars, collection auctions, master lectures, gem appraisals, design competitions and other activities. In March 2005, Beijing Baigongfang was officially approved by the relevant departments as a museum-Baigong Museum, which is also the first "living" museum in Beijing. Unlike other museums, visitors can not only appreciate various folk handicrafts and understand the development history of craftsmanship of various categories of crafts, but can even get close to more than 100 folk handicraft masters from all over the country, and create and discuss with them. Baigong Museum is jointly established and supported by the governments of Beijing and Chongwen District, and is sponsored by the Beijing Arts and Crafts Industry. The association jointly built it with the arts and crafts industry associations of eight provinces and cities, including Shanghai, Jiangsu, and Shaanxi. The Baigong Museum has a total construction area of 42,000 square meters, with more than 200 types of crafts and skills, and can collect more than 17,000 works of masters. The first phase of the project, which is now in use, includes more than 30 special craft workshops and 100 master studios, with varieties of designs such as cloisonné, jade carving, and ivory carving, "Eight Wonders of Yanjing". All masters who enter the Baigong Museum must bring an apprentice so that these skills can be inherited and innovated.

Wuqiang New Year Painting Museum

Wuqiang New Year Painting Museum is the first special museum of New Year paintings in China. It is located in Wuqiang County. It is not only a symbol of the hometown of New Year painting art, but also an art hall for displaying and studying farming culture. The museum covers a total area of 25,100 square meters, with a building area of more than 5,400 square meters. The museum has more than 10,000 cultural relics. There are currently 5 exhibition halls and an antique New Year painting workshop, which has well protected and inherited the ancient craft of woodblock printing, one of the "four great inventions" handed down from generation to generation. The exhibition is divided into six parts: (1) The origin and development of New Year paintings; (2) The glorious achievements in history; (3) Modern and contemporary Wuqiang New Year paintings with revolutionary traditions; (4) The new pattern of the current development of New Year paintings; (5) The colorful New Year paintings in various places; (6) Traditional craft workshops. The entire exhibition is novel and unique, full of the new era atmosphere and strong national and folk characteristics. It has strong knowledge, artistry, fun and participation. It is not only a special place for patriotism education using excellent traditional culture, but also a frontier for protecting, inheriting and promoting folk art. Since its opening in 1992, Wuqiang New Year Picture Museum has received attention and support from all walks of life at home and abroad. In 1993, it was named "Hometown of Woodblock New Year Picture Art" by the Ministry of Culture; since 1999, Wuqiang New Year Picture Museum has been designated as a patriotism education base in Hebei Province, a national key museum, a national defense education base in Hebei Province, a national AA-level tourist attraction, and an education practice base for 17 higher art colleges such as the Central Academy of Fine Arts. It has successfully held three New Year Picture Art Festivals and hosted the 17th Annual Meeting of the Folk Crafts Committee of the China Arts and Crafts Association. Nearly 100 news media have given special introductions. Wuqiang New Year Picture Museum has become a window for foreign cultural exchanges in Hengshui and even Hebei Province, receiving more than 100,000 tourists each year, with a huge impact at home and abroad. Wuqiang New Year Picture Museum has always paid attention to strengthening the research and protection of traditional culture, and has successively compiled books such as "Hebei Wuqiang New Year Pictures", "Wuqiang Ancient Edition Folk Door Paintings", "Wuqiang Ancient Edition Lantern Square New Year Pictures", "China Wuqiang Folk Shenma", "China Wuqiang New Year Picture Art", and "China Woodblock New Year Picture Collection·Wuqiang Volume". At the same time, more than 100 papers have been published at home and abroad, and the research results are remarkable. The R&D center has successively developed dozens of marketable products such as New Year picture calendars, screens, porcelain plates, hangings, gift hardcover paintings, etc. In 2006, a set of 4 special stamps of Wuqiang woodblock New Year pictures were first issued, opening up a new market for New Year pictures. In 2007, it jointly developed and printed "Wuqiang New Year Pictures Ancient Books Rare Edition" with Beijing Library. It is currently co-producing a 100-episode Wuqiang New Year picture animation "Legends of Painting Village" with Hebei University of Science and Technology, and co-filming a 50-episode TV series "New Year Pictures from Wuqiang" with CCTV, which will soon be launched on the market. With the museum as the leader, it has driven the production and sales of more than 40 New Year picture workshops in the county. The annual output value reaches 10 million yuan. The Wuqiang New Year Painting Museum has been increasing its foreign cultural exchange activities year by year. In recent years, it has successfully held Wuqiang New Year Painting exhibitions in the National Art Museum of China, the National Museum, the Central Academy of Fine Arts, the Tianjin Academy of Fine Arts, Hebei Normal University, Taiwan, Hong Kong, Macau, and other places. It has also held New Year Painting exhibitions in Singapore, France, Spain, Belgium, South Korea, Japan and other countries, which have impressed hundreds of millions of domestic and foreign audiences. Qi Gong, He Jingzhi, and Zhang Ding wrote the name of the museum, and famous artists such as Ding Cong, Fang Cheng, and Feng Jicai wrote inscriptions to praise Wuqiang New Year Painting. Wuqiang New Year Painting has a long history and is profound. In 2003, it was selected as one of the first ten pilot projects of the Chinese National Folk Culture Protection Project, and in 2006 it was selected into the National Intangible Cultural Heritage List. More than ten Wuqiang New Year Painting artists were rated as folk arts and crafts artists, Ma Xiqin was rated as an outstanding inheritor of Chinese folk culture, and Guo Shurong was rated as a national arts and crafts master. In the past seven years, more than 100 news media outlets, including CCTV, Tianjin TV, Hebei TV, Hong Kong Phoenix TV, and Japan Broadcasting Association, have filmed special programs on Wuqiang New Year paintings and broadcast them during prime time. The reputation of Wuqiang New Year paintings has grown and their influence has been far-reaching.