The art of calligraphy and painting restoration and mounting is a traditional art project in the fourth batch of Lianyungang City's representative expanded list of intangible cultural heritage. The main styles of calligraphy and painting mounting include vertical scrolls, central halls, couplets, horizontal scrolls, strip screens, panoramic screens, lenses, fans, hand scrolls, albums, etc. The main procedures for mounting calligraphy and painting: pulping, supporting the painting core, square painting core (supporting and dyeing materials), matching ingredients, inlaying, cutting, turning edges, gluing strings (joining the mouth and gluing the rods), matching backs (mounting back paper), covering paintings (supporting), grinding paintings (calendering), trimming edges (batch stringing), matching rods, tying ribbons (stringing ribbons), DD ties, and gluing labels. The restoration procedures for ancient calligraphy and painting are relatively simple, mainly including preparation, decontamination, moistening and peeling the painting core, repairing the painting core, and fully repairing the painting core. Restoring the painting core is the most critical part of the restoration procedure. The conditions and equipment required for repairing and mounting calligraphy and paintings are relatively complex, including the following: the studio, also known as the mounting room, needs to be clean, bright, and moderately warm; the wall, also known as the big wall or the board, is used to flatten and dry the painting core, and the mounting pieces and various mounting materials need to be flat, smooth, ventilated, and dry; the table, also known as the mounting table. The table board is required to be made of hard wood, with a smooth surface, and the height of the table is generally about 80 cm. The drying rack, also known as the drying pole, is used to dry processed backing paper, colored paper, and various materials. The copy table needs a glass tabletop with a built-in fluorescent lamp to remove and mount broken old paintings. The stepladder is used to step on the stone steps when mounting the work; the brush is used to support the mounting silk, paper, painting center and cover the painting; the brush is used to support the mounting silk, paper, painting center and cover the mounted work on the wall; the paper cutter is used to square the painting center and cut the painting materials; the awl needle and tweezers are used to square the painting center and remove the sundries; the opener is used to open the mounted work and various materials on the wall; the oil paper, also known as pulp paper and paste separator, is used to inlay the edge material and paste separator; the calender, also known as grinding stone, is used to calender and smooth the back of the mounted work; the wax board is used to rub the back of the painting when calendering the back of the mounted work. The specific tools and materials used include scissors, dusters, forks, watering cans, sieves, wood saws, electric drills, pliers, copper wire, washbasins, towels, brushes, paints, ink, palettes, plastic films, etc.