Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Takht-e Soleyman' has mentioned 'Well' in the following places:
Occurrence Sentence Text Source
Archaeological excavations have revealed traces of a 5th-century BC occupation during the Achaemenid period, as well as later Parthian settlements in the citadel.
The plan itself is reminiscent of the Mongol headquarters in China, which was inspired by a traditional Chinese city plan, as well as a classic Mongol nomadic camp.
The muqarnas and luster tiles, as well as the painted stucco walls, all demonstrate the importance of lavish decoration of Ilkhanid architecture, especially with palatial structures.
These scholars have based their designs in historical and cultural context by referencing the writings by Islamic mathematician and astronomer Ghiyath al-Din al-Kashi (in which he describes the use, design, and construction of muqarnas), various structures of the same Ilkhanid time period that contain muqarnas (the Great Mosque of Natanz and the tomb of Shaykh Abd al-Samad al-Isfahani of Natanz), previous interpretations of the muqarnas plate (chiefly of experts Ulrich Harb and Mohammad-Ali Jalal Yaghan), as well as the muqarnas traditions used today directly inherited through the traditions of the Ilkhanid period (as with the muqarnas workshops of Fez, Morocco).
The site also has many important symbolic relationships, being associated with beliefs much older than Zoroastrianism as well as with significant biblical figures and legends.
The site has many important symbolic relationships, being also a testimony of the association of the ancient beliefs, much earlier than the Zoroastrianism, as well as in its association with significant biblical figures and legends.
The regionxe2x80x99s climate, particularly the long rainy season and extreme temperature variations, as well as seismic action represent the major threats to the integrity of the original stone and masonry materials.
The Takht-e Soleyman archaeological ensemble is authentic in terms of its forms and design, materials and substance, and location and setting, as well as, to a degree, the use and the spirit of the fire temple.
These activities are funded by the Iranian Cultural Heritage, Handicrafts and Tourism Organization, as well as by occasional international support.