Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Selimiye Mosque and its Social Complex' has mentioned 'Dome' in the following places:
Occurrence Sentence Text Source
Selimiye MosqueReligionAffiliationSunni IslamLocationLocationEdirne, TurkeyLocation of the mosque in Turkey.Geographic coordinates41xc2xb040xe2x80xb241xe2x80xb3N 26xc2xb033xe2x80xb234xe2x80xb3Exefxbbxbf / xefxbbxbf41.67806xc2xb0N 26.55944xc2xb0Exefxbbxbf / 41.67806; 26.55944Coordinates: 41xc2xb040xe2x80xb241xe2x80xb3N 26xc2xb033xe2x80xb234xe2x80xb3Exefxbbxbf / xefxbbxbf41.67806xc2xb0N 26.55944xc2xb0Exefxbbxbf / 41.67806; 26.55944ArchitectureArchitect(s)Mimar SinanTypeMosqueStyleOttoman architectureGroundbreaking1568Completed1574SpecificationsHeight (max)43xc2xa0m (141xc2xa0ft)Dome dia.
The four semi domes at the corners of the square behind the arches that spring from the pillars, are intermediary sections between the huge encompassing dome (31.25 metres (102.5 feet) diameter with spherical profile) and the walls.
Surrounded by four tall minarets, the Mosque of Selim II has a grand dome atop it.
Formed by eight massive dome supports, the octagon is pierced by four half dome covered corners of the square.
Owing to the dome's extremely sturdy construction, the mosque survived the assault with only minor damage.
[citation needed] Some damage can be seen on the image of the dome above, at and near the dark red calligraph to the immediate left of the central blue area.
Sinan believed that building a single dome would be the only resolution to achieve this.
The author of Other Colors, Orhan Pamuk mentioned that he saw a connection between the wish of the central dome and the centralizing political and economic changes made by the empire, but the idea was later objected by another book written by Sinanxe2x80x99s friend, Sai, claiming that Sinan had taken his inspiration from Istanbulxe2x80x99s Hagia Sophia.
[6] Perhaps lending more credence to this idea is a quote by Sinan in which he claims that he has built a taller dome than Hagia Sophia: "In this mosque...I [have] erected a dome six cubits higher and four cubits wider than the dome of Hagia Sophia.
In order to accentuate and draw attention to the centralized structure of the mosque, the traditional placement of different sized minarets was abandoned from the design as Sinan believed that cascade of smaller domes and half-domes used earlier would play down the gigantic single-shell dome.
Besides, four identical minarets were planted at each corner of the marble forecourt to enforce attention on the surrounded central dome.
With the great dome rising subtlety from the center, it had harmoniously interplayed with the half domes, weight towers, and buttresses crowded around it.
The visible and invisible symmetries that were called out from the exterior and interior of the mosque was to evoke Godxe2x80x99s perfection through the plain and powerful structure of the dome and the bare stone.
Dome and Minarets Interior view of the central dome Selimiye Mosque interior Ottoman period tombstones and a museum near the mosque.
Selimiye, central part from the south Selimiye, detail of south side Selimiye courtyard Selimiye, mihrab area Selimiye, tiles at mihrab Selimiye, dome Selimiye, interior exterior
The imposing mosque stepping up to its single great dome with four soaring slender minarets, spectacular decorated interior space, manuscript library, meticulous craftsmanship, brilliant Iznik tiles and marble courtyard together with its associated educational institutions, outer courtyard and covered bazaar, represent the apogee of an art form and the pious benefaction of 16th century imperial Islam.
The single great dome supported by eight pillars has a diameter of 31.5 over a prayer space of 45mx36m, and with its four soaring minarets it dominates the city skyline.