Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Sanctuary of Bom Jesus do Congonhas' has mentioned 'Jesus' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| A model attribution edit summary Content in this edit is translated from the existing French Wikipedia article at [[:fr:Sanctuaire du Bom Jesus de Matosinhos]]; see its history for attribution. | WIKI |
| You should also add the template {{Translated|fr|Sanctuaire du Bom Jesus de Matosinhos}} to the talk page. | WIKI |
| Santuxc3xa1rio do Bom Jesus de Matosinhos is a basilica built in the latter part of 18th century in Congonhas, Minais Gerais, Brazil. | WIKI |
| Santuxc3xa1rio do Bom Jesus de Matosinhos is dedicated to Bom Jesus de Matosinhos, an invocation of Jesus related to a polychrome wood sculpture. | WIKI |
| People believe that it was created by Nicodemus who knew Jesus in his lifetime. | WIKI |
| The sculpture was said to be a perfect likeness of Jesus and it is the first depiction of Jesus that arrived in Portugal. | WIKI |
| This was due to his promise to Bom Jesus de Matosinhos after he recovered from a grave illness in 1757. | WIKI |
| The sculpture of Bom Jesus at Congonhas do Campo is seen as a powerful vehicle of intercession. | WIKI |
| It was believed that prayers uttered in front of the sculpture have a good chance of being answered, and it became a famous pilgrimage site with to which people travelled to ask Jesus for help and assistance. | WIKI |
| This is an offering room where devotees donate objects to say thanks for the blessings that they received through Bom Jesus's intercession. | WIKI |
| Standing high on a platform reached by a slightlyxc2xa0 curved, divided staircase carrying on its parapets statues of the twelve prophets in soapstone (pedra sabxc3xa3o), the Sanctuary of Bom Jesus de Congonhas is approached via a ramped forecourt between six chapels marking Stations of the Cross (the Passos). | UNESCO |
| Criterion (i): The architectural and sculptural complex of the Sanctuary of Bom Jesus de Matozinhos represents a singular artistic achievement, a jewel of the human genius, reflecting the apex of Christian art in Latin America, as expressed in the work of Aleijadinho, a thoroughly original and expressive work of the Baroque style transported to the tropics. | UNESCO |
| Criterion (iv): The Sanctuary of Bom Jesus de Matozinhos in Congonhas marks a crossroads in the evolution of mid-17th century religious architecture in Portuguese America, more specifically Minas Gerais, as reflected in the basilicaxe2x80x99s flame-like, slightly recessed towers and innovative rococo style faxc3xa7ade which converge to form an important example of Baroque art in Latin America. | UNESCO |
| The Sanctuary of Bom Jesus de Congonhas remains in good condition. | UNESCO |
| The architectural and sculptural complex of the Sanctuary of Bom Jesus do Matozinhos in Congonhas has maintained its intrinsic values thanks to the effective conservation of its constituent elements including: the church of Bom Jesus, completed in 1772; the staircase, decorated with soapstone sculptures of the prophets; and the chapels marking the stations of the Cross with expressive sculptural groups representing the Passion of Christ. | UNESCO |
| The Sanctuary of Bom Jesus de Matozinhos in Congonhas was designated a federal heritage site by IPHAN on September 8, 1939. | UNESCO |
| The votive offering room in the Sanctuaryxe2x80x99s interior, also known as the Room of Miracles, where the faithful deposit objects as thanks for the blessings obtained through Our Father Bom Jesusxe2x80x99s divine intercession, was designated a federal heritage site by IPHAN on January 29, 1981. | UNESCO |
| Construction is underway on a space designed to value the architectural and landscaping complex of the Sanctuary of Bom Jesus de Matozinhos in Congonhas and house the Baroque and Stonework Studies Reference Center (Centro de Referxc3xaancia do Barroco e Estudos da Pedra). | UNESCO |
| Proposals have been put forward to expand the protected area around the site to include not just the immediate surrounding areas, but a substantial perimeter encompassing the Architectural and Urban Complex of the city of Congonhas, which has progressively become a center for religious pilgrimage, due principally to the Sanctuary of Bom Jesus de Matozinhos. | UNESCO |