Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Padua’s fourteenth-century fresco cycles' has mentioned 'Wall' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. | WIKI |
| Contents 1 Technology 2 Other types of wall painting 3 History 3.1 Egypt and Ancient Near East 3.2 Aegean civilizations 3.3 Classical antiquity 3.4 India 3.5 Sri Lanka 3.6 Middle Ages 3.7 Early modern Europe 3.8 Mexican muralism 3.9 Contemporary 4 Selected examples of frescoes 5 Conservation of frescoes 6 Gallery 7 See also 8 References 9 External links | WIKI |
| ]new techniques for transferring paper drawings to the wall were developed. | WIKI |
| The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, and a bag of soot (spolvero) banged on them to produce black dots along the lines. | WIKI |
| On the day of painting, the intonaco, a thinner, smooth layer of fine plaster was added to the amount of wall that was expected to be completed that day, sometimes matching the contours of the figures or the landscape, but more often just starting from the top of the composition. | WIKI |
| Other types of wall painting[edit] | WIKI |
| The pigments thus require a binding medium, such as egg (tempera), glue or oil to attach the pigment to the wall. | WIKI |
| It is important to distinguish between a secco work done on top of buon fresco, which according to most authorities was in fact standard from the Middle Ages onwards, and work done entirely a secco on a blank wall. | WIKI |
| [6][7][8][9][10] Ancient Egyptians painted many tombs and houses, but those wall paintings are not frescoes. | WIKI |
| The most common form of fresco was Egyptian wall paintings in tombs, usually using the a secco technique. | WIKI |
| Roman wall paintings, such as those at the magnificent Villa dei Misteri (1st century B.C.) | WIKI |
| Roman frescoes were done by the artist painting the artwork on the still damp plaster of the wall, so that the painting is part of the wall, actually colored plaster. | WIKI |
| Scenes from epics of Mahabharat and Ramayan along with portraits of local lords form the subject matter of these wall paintings. | WIKI |
| Rang Mahal of Chamba (Himachal Pradesh) is another site of historic Dogri fresco with wall paintings depicting scenes of Draupti Cheer Haran, and Radha- Krishna Leela. | WIKI |
| [15] In Denmark too, church wall paintings or kalkmalerier were widely used in the Middle Ages (first Romanesque, then Gothic) and can be seen in some 600 Danish churches as well as in churches in the south of Sweden, which was Danish at the time. | WIKI |
| Together with works by Orozco, Siqueiros, and others, Fernando Leal and Rivera's large wall works in fresco established the art movement known as Mexican Muralism. | WIKI |
| There have been comparatively few frescoes created since the 1960s but a new generation of wall painters are reviving and reinvigorating the tradition. | WIKI |
| ), Lorenzetti, Martini and others) in upper and lower Basilica of San Francesco d'Assisi Giotto, Cappella degli Scrovegni (Arena Chapel), Padua Camposanto, Pisa Masaccio, Brancacci Chapel, Santa Maria del Carmine, Florence Ambrogio Lorenzetti, Palazzo Pubblico, Siena Piero della Francesca, Chiesa di San Francesco, Arezzo Ghirlandaio, Cappella Tornabuoni, Santa Maria Novella, Florence The Last Supper, Leonardo da Vinci, Milan (technically a tempera on plaster and stone, not a true fresco[29]) Sistine Chapel Wall series: Botticelli, Perugino, Rossellini, Signorelli, and Ghirlandaio Luca Signorelli, Chapel of San Brizio, Duomo, Orvieto | WIKI |
| Michelangelo's Sistine Chapel ceiling Raphael's Vatican Stanza Raphael's Villa Farnesina Giulio Romano's Palazzo del Txc3xa8, Mantua Mantegna, Camera degli Sposi, Palazzo Ducale, Mantua The dome of the Cathedral Santa Maria del Fiore of Florence The Loves of the Gods, Annibale Carracci, Palazzo Farnese Allegory of Divine Providence and Barberini Power, Pietro da Cortona, Palazzo Barberini Ceilings, Giovanni Battista Tiepolo, (New Residenz) Wxc3xbcrzburg, (Royal Palace) Madrid, (Villa Pisani) Stra, and others; Wall scenes (Villa Valmarana and Palazzo Labia) Nave ceiling, Andrea Pozzo, Sant'Ignazio, Rome | WIKI |
| These sections are strengthened and reattached then cleansed with base exchange resin compresses and the wall and pictorial layer were strengthened with barium hydrate. | WIKI |