Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Padua’s fourteenth-century fresco cycles' has mentioned 'Painting' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| Mural painting upon freshly laid lime plaster | WIKI |
| The Creation of Adam, a fresco painting by Italian artist Michelangelo | WIKI |
| Fresco (plural frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. | WIKI |
| Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. | WIKI |
| The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. | WIKI |
| The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. | WIKI |
| Contents 1 Technology 2 Other types of wall painting 3 History 3.1 Egypt and Ancient Near East 3.2 Aegean civilizations 3.3 Classical antiquity 3.4 India 3.5 Sri Lanka 3.6 Middle Ages 3.7 Early modern Europe 3.8 Mexican muralism 3.9 Contemporary 4 Selected examples of frescoes 5 Conservation of frescoes 6 Gallery 7 See also 8 References 9 External links | WIKI |
| In painting buon fresco, a rough underlayer called the arriccio is added to the whole area to be painted and allowed to dry for some days. | WIKI |
| If the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. | WIKI |
| On the day of painting, the intonaco, a thinner, smooth layer of fine plaster was added to the amount of wall that was expected to be completed that day, sometimes matching the contours of the figures or the landscape, but more often just starting from the top of the composition. | WIKI |
| Additionally, the border between giornate was often covered by an a secco painting, which has since fallen off. | WIKI |
| One of the first painters in the post-classical period to use this technique was the Isaac Master (or Master of the Isaac fresco, and thus a name used to refer to the unknown master of a particular painting) in the Upper Basilica of Saint Francis in Assisi. | WIKI |
| Other types of wall painting[edit] | WIKI |
| A secco or fresco-secco painting is done on dry plaster (secco meaning "dry" in Italian). | WIKI |
| In most early examples this work has now entirely vanished, but a whole painting done a secco on a surface roughened to give a key for the paint may survive very well, although damp is more threatening to it than to buon fresco. | WIKI |
| Roman frescoes were done by the artist painting the artwork on the still damp plaster of the wall, so that the painting is part of the wall, actually colored plaster. | WIKI |
| They bear some resemblance to the Gupta style of painting found in the Ajanta Caves in India. | WIKI |
| The painting technique used on the Sigiriya paintings is "fresco lustro". | WIKI |
| This gives the painting added durability, as clearly demonstrated by the fact that they have survived, exposed to the elements, for over 1,500 years. | WIKI |
| One of the rare examples of Islamic fresco painting can be seen in Qasr Amra, the desert palace of the Umayyads in the 8th century Magotez. | WIKI |
| Henri Clxc3xa9ment Serveau produced several frescos including a three by six meter painting for the Lycxc3xa9e de Meaux, where he was once a student. | WIKI |