Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Mudejar Architecture of Aragon' has mentioned 'Mudéjar' in the following places:
Occurrence Sentence Text Source
Mudxc3xa9jar architecture of Aragon is an aesthetic trend in Mudxc3xa9jar style in Aragon, (Spain) and has been recognized in some representative buildings as a World Heritage Site by UNESCO.
The chronology of the Aragonese Mudxc3xa9jar occupies 12th to the 17th century and includes more than a hundred architectural monuments located predominantly in the valleys of the Ebro, Jalxc3xb3n and Jiloca.
The first manifestations of Aragonese Mudxc3xa9jar have two origins: on the one hand, a palatial architecture linked to the monarchy, which amends and extends the Aljaferxc3xada Palace maintaining Islamic ornamental tradition, and on the other hand, a tradition which develops Romanesque architecture using brickwork rather than masonry construction and which often displays Hispanic-rooted ornamental tracery.
Examples of the latter type of Mudxc3xa9jar architecture can be seen in churches in Daroca, which were started in stone and finished off in the 13th century with Mudxc3xa9jar brick panels.
In 1986, Unesco declared the whole Mudxc3xa9jar complex of Teruel a World Heritage Site,[1] which was extended in 2001 to include other Aragonese Mudejar monuments:
Code Name Place Year 378-001 Tower, roof and dome of the Cathedral of Saint Mary of Mediavilla Teruel 1986 378-002 Tower and church of San Pedro Teruel 1986 378-003 Tower and church of San Martxc3xadn Teruel 1986 378-004 Tower and church of The Savior Teruel 1986 378-005 Apse, cloister and tower of Colegiata de Santa Marxc3xada Calatayud 2001 378-006 Parish church of Santa Tecla Cervera de la Caxc3xb1ada 2001 378-007 Church of Saint Mary Tobed 2001 378-008 Mudxc3xa9jar remains of the Palace of Aljaferxc3xada Zaragoza 2001 378-009 Tower and Parish church of San Pablo Zaragoza 2001 378-010 Apse, parish and dome of La Seo Zaragoza 2001
The development in the 12th century of Mudxc3xa9jar art in Aragon resulted from the particular political, social, and cultural conditions that prevailed in Spain after the Reconquista.
Geographically, Aragonese Mudxc3xa9jar art can be found mainly along the Ebro river valley and its southern tributaries in the northeast Iberian Peninsula.
Mudxc3xa9jar art is an artistic phenomenon that does not belong entirely to the cultures of Western Europe or Islam.
They include: the tower, roof, and cimborio of the Cathedral of Santa Marxc3xada de Mediavilla de Teruel; the tower and church of San Pedro de Teruel; the church tower of San Martxc3xadn de Teruel; the church tower of Salvador de Teruel; the apse, cloister, and tower of the collegiate church of Santa Marxc3xada de Calatayud; the parish church of Santa Tecla de Cervera de la Caxc3xb1ada; the church of Santa Marxc3xada de Tobed; the surviving Mudxc3xa9jar features of the Aljaferxc3xada Palace of Zaragoza; the tower and parish church of San Pablo de Zaragoza; and the apse, parroquieta, and cimborio of la Seo de Zaragoza.
It expresses the evolution of Mudxc3xa9jar construction techniques in both structural and formal terms and symbolises the integration of a range of art forms (architecture, ceramics, woodcutting, and painting) as an aesthetic process of approximation to beauty.
The architectural forms and the unitary character of the Mudxc3xa9jar tradition as a historical and cultural reality employ a wide range of techniques: painting, plasterwork, silver and gold ornamentation, woodwork, and ceramics are preserved within the inscribed component parts.
The historical and social factors in the 17th century led to a decline of the Mudxc3xa9jar tradition and its replacement by other artistic movements such as the Renaissance and Baroque.
Fortunately, the Mudxc3xa9jar section was the part that was least affected.
Due to the respectful restoration work carried out at the end of the last century, the Mudxc3xa9jar elements have survived intact.
Mudxc3xa9jar art is the only style unique to Spain due to its particular historical trajectory.
The decoration of these monuments is an additional documentation of Aragonese Mudxc3xa9jar art, as the vast majority of Aragonese Mudxc3xa9jar roofs conserved are adorned with paintings.
With regard to funding, the Government of Aragon provides the necessary means for the inscribed component parts and for other Mudxc3xa9jar sites in the region, with conservation and restoration as the main priority.
These resulted in the formulation of a Management Plan for the Mudxc3xa9jar sites, with particular attention to the ten inscribed components, as well as comprehensive documentation to facilitate research and dissemination.