Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Monastery of Batalha' has mentioned 'Architect' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| Work began in 1386 by the Portuguese architect Afonso Domingues, who continued until 1402. | WIKI |
| This architect, who was probably of Catalan descent, introduced the Flamboyant Gothic style. | WIKI |
| During the reign of Afonso V of Portugal, the Portuguese architect Fernxc3xa3o de xc3x89vora continued the construction between 1448 and 1477. | WIKI |
| He added the Cloister of Afonso V. He was succeeded by the architect Mateus Fernandes the Elder in the period 1480xe2x80x931515. | WIKI |
| The nave was raised to its present height by the second architect, Huguet, altering the proportions of the church and giving it its present aspect. | WIKI |
| The architect Mateus Fernandes and his wife are buried under a marble tomb-slab close to the portal. | WIKI |
| The square Founder's Chapel (Portuguese: Capela do Fundador) was built between 1426 and 1434 by the architect Huguet on orders of King John I to become the first royal pantheon in Portugal. | WIKI |
| It is ascribed to the architect Joxc3xa3o de Castilho. | WIKI |
| It was built under the architect Fernxc3xa3o de xc3x89vora between 1448 and 1477. | WIKI |
| It was constructed in the second half of the 15th century by the architect Fernxc3xa3o de xc3x89vora. | WIKI |
| The design has been attributed to the English architect Master Huguet. | UNESCO |
| Batalha is the conservatory of several privileged expressions of Portuguese art: the sober architectural style of the end of the 14th century, with the stupendous nave of the abbatial, of which the two-storey elevation, with broad arcades and high windows, renders most impressive; the exuberant aesthetic of the capelas imperfeitas; the flamboyant arcades embroidered in a lace-work of stone: the Manueline Baroque even more perceptible in the openwork decor of the tracery of the arcades of the royal cloister than on the immense portal attributed to Mateus Fernandes the Elder; and finally, the hybrid style of Joxc3xa3o de Castilho, architect of the loggia constructed under Joxc3xa3o III (1521-1557). | UNESCO |