Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Mogao Caves' has mentioned 'Painting' in the following places:
Occurrence Sentence Text Source
Details of painting of the meeting of Manjusri and Vimalakirti.
Painting on silk (Library Cave), Late Tang.
The flesh tones of the figure with its pigments protected from oxidation contrast with the darkened tone of buddhas in later painting seen on the right.
Early murals showed a strong Indian and Central Asian influence in the painting techniques used, the composition and style of the paintings as well as costumes worn by the figures, but a distinct Dunhuang style began to emerge during Northern Wei Dynasty.
While Buddhist art is stylistically distinct from secular art, the style of paintings in the caves often reflects that of contemporary secular painting (insofar as we know of this), especially those depicting secular scenes.
Many early figures in the murals in Dunhuang also used painting techniques originated from India where shading was applied to achieve a three-dimensional or chiaroscuro effect.
The paintings show something of the contemporary Chinese style of the capital Chang'an, but many also reflect Indian, Tibetan and Uighur painting styles.
10th century mural from Cave 61, showing Tang Buddhist monasteries of Mount Wutai, Shanxi province The travel of Zhang Qian to the West, complete view, c. 700 The travel of Zhang Qian to the West, details of mural from cave 323, 618xe2x80x93712 A Tang Chinese silk landscape painting depicting a young Sakyamuni cutting his hair Vajrapani Painting at Mogao Caves (Library Cave) Bandit attacks Vaishravana riding across the waters.
Sogdian Daxc4x93nxc4x81s depicting two Zoroastrian deities once worshipped by the Sogdians Nestorian painting of Jesus Christ discovered at the Library Cave Buddhist cave art, a dancer spins while the orchestra plays.