Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Meidan Emam, Esfahan' has mentioned 'Bazaar' in the following places:
Occurrence Sentence Text Source
Sheikh Lotf Allah Mosque is situated on the eastern side of this square and at the northern side Qeysarie Gate opens into the Isfahan Grand Bazaar.
Contents 1 History 2 Maidan xe2x80x93 The Royal Square 2.1 Masjed-e Shah xe2x80x93 The Pinnacle of Safavid Architecture 2.2 The Lotfollah Mosque 2.3 Ali Qapu Palace 2.4 The Imperial Bazaar 3 See also 4 References 5 Sources 6 External links
[8] The ingenuity of the square, or Maidxc4x81n, was that, by building it, Shah Abbas would gather the three main components of power in Persia in his own backyard; the power of the clergy, represented by the Masjed-e Shah, the power of the merchants, represented by the Imperial Bazaar, and of course, the power of the Shah himself, residing in the Ali Qapu Palace.
Built as a two-story row of shops, flanked by impressive architecture, and eventually leading up to the northern end, where the Imperial Bazaar was situated, the square was a busy arena of entertainment and business, exchanged between people from all corners of the world.
At the entrance to the Imperial Bazaar, there were coffee-houses, where people could relax over a cup of fresh coffee and a water-pipe.
The Imperial Bazaar[edit]
Bazaar entrance (Keisaria gate)
The portico of Qeyssariyeh on the north side leads to the 2-km-long Esfahan Bazaar, and the Sheikh Lotfallah Mosque on the east side, built as a private mosque for the royal court, is today considered one of the masterpieces of Safavid architecture.
The arcades on all sides of the square housed hundreds of shops; above the portico to the large Qeyssariyeh bazaar a balcony accommodated musicians giving public concerts; the txc3xa2lxc3xa2r of Ali Qapu was connected from behind to the throne room, where the shah occasionally received ambassadors.
The arcades on all sides housed shops; above the portico to the large Qeyssariyeh bazaar a balcony accommodated musicians giving public concerts; the txc3xa2lxc3xa2r of Ali Qapu was connected from behind to the throne room, where the shah occasionally received ambassadors.