Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Medina of Tunis' has mentioned 'Medina' in the following places:
Occurrence Sentence Text Source
The Medina contains some 700 monuments, including palaces, mosques, mausoleums, madrasas and fountains dating from the Almohad and the Hafsid periods.
Expansions to the north and south divided the main Medina into two suburbs north (Bab Souika) and south (Bab El Jazira).
[6] It was during the Hafsid period that the Medina as we now know it took on its essential form.
Street network of the Tunis medina
With an area of 270 hectares (670 acres)[8] (plus 29 hectares (72 acres) for the district of the kasbah) and nearly 110,000 inhabitants, the Medina has one-tenth of the population of Tunis and a sixth of the urbanized area of the agglomeration.
The complex organization of the urban fabric fueled an entire colonial literature of the dangerous Medina, anarchic and chaotic, and the territory of ambush.
However, since the 1930s, with the arrival of the first ethnologists, studies have revealed that the articulation of the Medina areas is not random, and houses are built according to clear sociocultural norms, codified according to complex types of human relationships.
Many publications have detailed the development of the Medina model and system of prioritization of public and private spaces, residential and commercial, sacred and profane.
The concept of public space is ambiguous in the Medina where the streets are considered as the extension of houses and subject to social tags.
The late introduction of a sewer system means that much waste water still flows through the streets of the Medina.
The roof terraces of the Medina are also an important place for social life, as illustrated by the film Halfaouine by Fxc3xa9rid Boughedir.
The Medina has also witnessed a social segmentation: the districts of Tourbet el Bey and the kasbah are wealthier, with a population of judges and politicians, Pasha street is the military and the bourgeoisie (merchants and notables), and smaller communities such as Hafisa where the Jewish population have traditionally lived.
Door in the medina
The Muradid dynasty were great builders in the Medina.
Hammouda Pasha (1631xe2x80x931666) was responsible for the construction of many souks in the Medina, as well as many palaces, including the Dar Hammouda Pacha and the predecessor of the modern Dar El Bey.
The Husainid ruler Ali II ibn Hussein (1759xe2x80x931782) had the Tourbet el Bey constructed in the south of the Medina as a mausoleum for his family,[11][12] It is the largest funerary monument in Tunis.
In the time of Muhammad III as-Sadiq (1859xe2x80x931882) the walls of the Medina were in such bad repair that in some places they threatened to collapse.
In 1865 he began demolishing them, along with a number of the Medina's historic gates: Bab Cartagena, Bab Souika, Bab Bnet and Bab El Jazira.
Close-up on a traditional door of the Medina Vestibule of Dar Othman
The Medina contains most of the great mosques of the capital, which were all built before the French protectorate.
The main Zitouna Mosque was built in 732 in the heart of the Medina and then rebuilt in 864.
The Kasbah Mosque built between 1231 and 1235, was the second mosque to be built in the Medina, intended for the rulers themselves, who lived in the nearby Kasbah.
It is distinguished especially by the dome in stalactites preceding the mihrab and by its minaret that recalls that of the Koutoubia of Marrakech and is the highest in the Medina.
The Medina, the old city, of Tunis hosts two of the largest contemporary art projects in Tunisia.
The Medina alternates each year between hosting INTERFERENCE and Dream City.
Founded by Aymen Gharbi and Bettina Pelz in 2016, the first edition was a success due to the collective effort of almost 200 volunteers, the Medina community, a plethora of organizations, institutions, and companies and a multitude international artists.
The urban and social structure of the Medina offers a fertile ground for contemporary art creation and site-specific production.
Both festivals and as well other cultural initiatives in Tunis profited from the social environment of the Medina context and it continues to xc2xa0be considered it as a niche for artistic growth and development.
As gentrification has not affected the Medina on a grand scale just yet, the social and urban tissue offers subjects and places to be discovered and to become a part of the artistic process for both International and national artists to investigate contemporary Tunisian social worlds.
It is composed of the central medina (8th century) and suburbs to the North and South (13th century).
The Medina of Tunis has a safeguarding and management structure attached to the National Heritage Institute and a Safeguarding Association for the Medina attached to the Municipality of Tunis.