Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Historic Fortified Town of Campeche' has mentioned 'Dance' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| It is an indigenous dance characteristic of the town of Lerma. | WIKI |
| Its purpose is to attract fertility in the fields, so they sacrifice a rooster that during the dance takes it hanging on the back, the only man who participates in it. | WIKI |
| The women are holding a jxc3xadcara with corn seeds that sound like the movement of the dance steps. | WIKI |
| The dance is characterized by its agility and joy. | WIKI |
| Halfway through the dance, the Havana rhythm corresponding to the black influence troupe is introduced; At this time, the couples of ease come off to dance, while they chant and mark the rhythm with claps. | WIKI |
| In the end, everyone joins the dance, ending with the jarana. | WIKI |
| Dance typical of the region that coincides with Las Randexc3xb1as, known tonadilla in the neighborhood of Santa Ana; their music is lively and strident and the dancers, with redoubled step, take wheel positions and turn making changes towards the center and outwards, or on themselves, to finish with a very colorful finish. | WIKI |
| Dance known as "are of trouble", its execution requires ease and grace, since its rhythm coincides with those of "choteo", "correteo" and "bailoteo", when interpreting it, the man puts his hands on the woman's shoulders, leaning a little towards her, thus imitating the cockroach shell. | WIKI |
| Jarana that is danced to the rhythm of six by eight; of agile zapateado, where the dancers show their grace and dexterity and, as proof of this, either in the bushel or on the table, a bottle is placed on the head, and some of them, trays with glasses and bottles, same, that despite the zapateado, when performing the dance, they remain keeping a balance that causes admiration. | WIKI |
| It is singled out by the cadence with solos that led to unusual dance poses, with very airy and light movements. | WIKI |
| His dance dates back to the end of the 18th century and is also a strong number, has diverse choreographies and some quite complicated, but the theme is in the reproduction that the dancers do together with the Charanga, of the so-called bells of the Cathedral, its end is large and studied. | WIKI |
| This dance is a classic Havana or Cuban chain. | WIKI |
| It goes back to the year of 1861 and was danced in all the salons of the time; The dance opens with the salt shaker that characterizes the campechanos and concludes with a zapateado to finish off. | WIKI |
| Because of its idea of disorder and hustle and bustle, it is interpreted in very lively and cheerful ways without making a couple or defining with whom you dance, all dance and zap in confusion, marking and challenging with heel strokes who is closest indifferent to the opposite sex. | WIKI |
| This is a short but very energetic dance, it is written in six eighths and its genre is zapateado. | WIKI |