Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Fort and Shalamar Gardens in Lahore' has mentioned 'Wall' in the following places:
Occurrence Sentence Text Source
Contents 1 Location 2 History 2.1 Early history 2.2 Delhi Sultanate 2.3 Mughal era 2.3.1 Akbar period 2.3.2 Jahangir period 2.3.3 Shah Jahan period 2.3.4 Aurangzeb period 2.4 Sikh era 2.5 Modern era 3 Layout 4 Major structures 4.1 Shah Burj Quadrangle 4.1.1 Naulakha Pavilion 4.1.2 Picture Wall 4.1.3 Sheesh Mahal 4.1.4 Summer Palace 4.2 Khilwat Khana 4.2.1 Kala Burj 4.2.2 Lal Burj 4.3 Shah Jahan's Quadrangle 4.3.1 Diwan-i-Khas 4.3.2 The Khwabgah of Shah Jahan 4.4 Jahangir's Quadrangle 4.4.1 Diwan-i-Aam 4.4.2 Kharak Singh Haveli 4.4.3 The Khwabgah of Jahangir 4.4.4 Sehdari pavilion 4.5 Maktab Khana 4.6 Moti Masjid 4.7 Gates 4.7.1 Akbari Gate 4.7.2 Alamgiri Gate 4.7.3 Shah Burj Gate 4.8 Naag Temple 4.9 Mai Jindan Haveli 5 Conservation 6 Governance 7 See also 8 Footnotes 9 References 10 Sources 11 External links
The fort's massive Picture Wall dates from the Jahangir period.
Jahangir bestowed the massive Picture Wall, a 1,450 feet (440xc2xa0m) by 50 feet (15xc2xa0m) wall[17] which is exquisitely decorated with a vibrant array of glazed tile, faience mosaics, and frescoes.
Many of the scenes displayed on this xe2x80x98Picture Wallxe2x80x99 illustrate the court life of the Mughal sovereigns, their sports and their pastimes.
Picture Wall[edit]
The Picture Wall features mosaics depicting a myriad of scenes.
Emperor Jahangir ordered construction of the massive "Picture Wall', which is considered to be the greatest artistic triumph of the Lahore Fort.
The monumental Picture Wall is a large section of the outer wall which is exquisitely decorated with a vibrant array of glazed tile, faience mosaics, and frescoes.
The embellished wall stretches over much of the fort's northern and western walls and measures approximately 1,450 feet (440xc2xa0m) by 50 feet (15xc2xa0m).
[17] The wall contains 116 panels,[36] which depict a myriad of subjects, including elephant fights, angels, and polo games that do not form a cohesive narrative; each can be viewed in isolation.
Though begun under Jahangir, the Picture Wall was decorated throughout the 1620s, and may have been completed under the reign of his son, Shah Jahan.
The Picture Wall was badly neglected, and suffered from disrepair and damage.
Detailed documentation of the wall using 3D scanner was completed in July 2016,[38] after which conservation work would start.
Conservation works at the Picture Wall began in 2015 by the Aga Khan Trust for Culture and Walled City of Lahore Authority.
[74] Documentation of the wall using 3D scanner was completed in July 2016,[38] after which conservation work would start.
The regular plan, enclosed by a crenellated wall of red sandstone, disposes square beds on the upper and lower terraces and elongated blocks on the narrower, intermediate terrace; within, elegant pavilions balance harmoniously arranged poplar and cypress trees, reflected in the vast basins of water.
Both of the complexes in the inscription as they survive today are complete in and of themselves; the Lahore Fort complex includes all 21 surviving monuments within the defined Fort boundaries, and the Shalimar Gardens includes all of the various water terraces and pavilions within its enclosing wall.