Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Churches and Convents of Goa' has mentioned 'Baroque' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| The justifications[1] for the inclusion of religious monuments in Goa in the World Heritage List are: 1) the influence of the monuments in the dissemination of Western art forms xe2x80x93 the Manueline styles, Mannerist and Baroque xe2x80x93 throughout Asia where Catholic missions were established; 2) the value of the set of monuments of Goa as an exceptional example that illustrates the work of evangelization and 3) the specific value of presence in the Basilica of Bom Jesus of the tomb of Francisco Xavier, which illustrates a major world event: the influence of the Catholic religion in Asia in the modern era. | WIKI |
| Facade of the Church of St. Francis of Assisi (Igreja de Sxc3xa3o Francisco de Assis), a church that signifies best the blending of Portuguese-Manueline style into the later Tuscan style In contrast to the simple outer faxc3xa7ade the interiors of the Church of St. Francis are adorned lavishly in the Baroque style using Corinthian influences The Tuscan Cathedral of Santa Catarina (Saint Catherine) at over 76m long and 55m is the largest church in Asia Interior of the Santa Catarina (Saint Catherine) Cathedral Main altar (nave) of the Basilica of Bom Jesus, famous throughout the Roman Catholic world for the casket of Saint Francis Xavier located in a nave (not seen in picture) beside the main altar The silver casket of St. Francis Xavier inside the Basilica of Bom Jesus has thirty two episodes of his life depicted on all four sides of the silver plates The 46 m high Saint Augustine tower (Torre de Sxc3xa3o Augustine) sits atop Monte Santo (Holy Hill) and was part of a monastery of the Augustinian order Chapel of Santa Catarina built by Afonso de Albuquerque in 1510 to commemorate his triumphant entry on Saint Catherinexe2x80x99s Day Church of Divine Providence (Igreja da Divina Providxc3xaancia) besides the Convent of Saint Cajetan (Convento de Sxc3xa3o Caetano) is modelled after the initial Saint Peter's Basilica and has two towers as well as Corinthian columns and pilasters supporting a pediment, in which are kept the statues of the apostles. | WIKI |
| These seven monuments exerted great influence in the 16th to 18th centuries on the development of architecture, sculpture, and painting by spreading forms of Manueline, Mannerist, and Baroque art and architecture throughout the countries of Asia where Catholic missions were established. | UNESCO |
| The surviving churches and convents in Goa are the Chapel of St. Catherine (1510), which was raised to the status of cathedral by Pope Paul III in 1534; the Church and Convent of St. Francis of Assisi (1517; rebuilt in 1521xc2xa0 and 1661), with elements in the Manueline, Gothic, and Baroque styles; the Church of Our Lady of Rosary (1549), the earliest of the existing churches built in the Manueline style; Sxc3xa9 Cathedral (1652), with its Tuscan style exterior and Classical orders; the Church of St. Augustine (1602), a complex that fell into ruins, with only one-third of the bell tower standing; the Basilica of Bom Jesus (1605), with its prominent Classical orders; and the Chapel of St. Cajetan (1661), modelled on the original design of St. Peterxe2x80x99s Church in Rome. | UNESCO |
| Criterion (ii): The monuments of Goa, xe2x80x9cRome of the Orientxe2x80x9d, exerted great influence from the 16th to the 18th century on the development of architecture, sculpture and painting by spreading forms of Manueline, Mannerist and Baroque art throughout the countries of Asia where Catholic missions were established. | UNESCO |
| The serial property boundary encloses all the structures which together demonstrate the assimilation of Manueline, Mannerist, and Baroque styles with local practices. | UNESCO |