Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Chartres Cathedral' has mentioned 'Transept' in the following places:
Occurrence Sentence Text Source
Contents 1 History 1.1 Earlier Cathedrals 1.2 Fire and reconstruction (1194xe2x80x931260) 1.3 Later modifications (13thxe2x80x9318th centuries) and the Coronation of Henry IV of France 1.4 French Revolution and 19th century 1.5 World War II 1.6 2009 restoration 1.7 Liturgy 2 Description 2.1 Statistics 2.2 Plan and elevation xe2x80x93 flying buttresses 3 The towers and clock 4 The Portals and their sculpture 4.1 West, or Royal Portal (12th century) 4.2 North transept portals (13th century) 4.3 South portal (13th century) 5 Angels and monsters 6 Nave and ambulatory 7 Stained glass windows 7.1 12th century windows 7.2 Rose windows 7.3 Windows in aisles and the choir ambulatory 7.4 Clerestory windows 7.4.1 Later windows 8 The Crypt (9thxe2x80x9311th century) 9 High Altar (18th century) 10 Choir wall (16th-18th centuries) 11 Labyrinth 12 Chapel of Piatus of Tournai, bishop's palace and gardens 13 Construction 14 Restoration 15 The School of Chartres 16 Social and economic context 17 Pilgrimages and the legend of the Sancta Camisa 18 Popular culture 19 Chartres Light Celebration 20 See also 21 References 22 Bibliography 23 External links
The nave, aisles, and lower levels of the transepts of the new cathedral were probably completed first, then the choir and chapels of the apse; then the upper parts of the transept.
North transept portals (13th century)[edit]
Saint Anne holding the infant Virgin Mary on the trumeau of the central portal of the north transept The tympanum over the center portal of the north transept.
The statuary of the north transept portals is devoted to the Old Testament, and the events leading up to the birth of Christ, with particular emphasis on the Virgin Mary.
Iconography of the various elements of the north transept portals Left (east) Portal Central Portal Right (west) Portal Jamb figures: Annunciation to Mary and the Visitation Old Testament Patriarchs, John the Baptist and St Peter King Solomon, the Queen of Sheba, various prophets Lintel: Nativity and Annunciation to the Shepherds Dormition and Assumption of the Virgin Judgment of Solomon Tympanum: Adoration of the Magi and the Dream of the Magi Coronation of the Virgin Job on the Dunghill Archivolts: Personifications of the Virtues and Vices Tree of Jesse / Prophets Old Testament Narratives (Esther, Judith, Samson, Gideon and Tobit)
Iconography of the various elements of the south transept portals Left (west) Portal Central Portal Right (east) Portal Jamb figures: Martyr saints The Apostles Confessor saints Lintel: The martyrdom (by stoning) of St Stephen The weighing of souls and separation of the blessed and the damned Scenes from the lives of St Nicholas of Bari and St Martin of Tours Tympanum: Stephen's beatific vision of Christ Christ showing his wounds with the Virgin and St John and angels bearing the Arma Christi Further scenes from the lives of St Nicholas and St Martin Archivolts: Assorted martyr saints Choirs of angels and the dead rising from their tombs / Prophets Life of St Giles in lower register, other Confessors in the remaining voussoirs
It is found in the first bay of the choir after the south transept.
The west rose window c.xe2x80x891215 North transept rose window, c.xe2x80x891235 South transept rose window, c.xe2x80x891221xe2x80x931230
The north transept rose (10.5xc2xa0m diameter, c. 1235), like much of the sculpture in the north porch beneath it, is dedicated to the Virgin.
The south transept rose (10.5xc2xa0m diameter, made c.1225xe2x80x9330) is dedicated to Christ, who is shown in the central oculus, right hand raised in benediction, surrounded by adoring angels.
The nave and transept clerestory windows mainly depict saints and Old Testament prophets.
[48] The nave high vaults were erected in the 1220s, the canons moved into their new stalls in 1221 under a temporary roof at the level of the clerestory, and the transept roses were erected over the next two decades.
Textiles were sold around the north transept, while meat, vegetable and fuel sellers congregated around the south porch.
The monumental sculptures of Chartres Cathedral are valued both for their abundance and for their quality: the large ensembles, reliefs and statues, of the Royal Portail at the entrance to the nave, the six portals and two porches dating from 1210 at the north and south entrances to the transept, offer a complete panorama of Gothic sculpture from the moment when it broke from Romanesque traditions to attain the subtle balance of idealism and realism that characterises its apogee.