Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Chartres Cathedral' has mentioned 'Nave' in the following places:
Occurrence Sentence Text Source
Contents 1 History 1.1 Earlier Cathedrals 1.2 Fire and reconstruction (1194xe2x80x931260) 1.3 Later modifications (13thxe2x80x9318th centuries) and the Coronation of Henry IV of France 1.4 French Revolution and 19th century 1.5 World War II 1.6 2009 restoration 1.7 Liturgy 2 Description 2.1 Statistics 2.2 Plan and elevation xe2x80x93 flying buttresses 3 The towers and clock 4 The Portals and their sculpture 4.1 West, or Royal Portal (12th century) 4.2 North transept portals (13th century) 4.3 South portal (13th century) 5 Angels and monsters 6 Nave and ambulatory 7 Stained glass windows 7.1 12th century windows 7.2 Rose windows 7.3 Windows in aisles and the choir ambulatory 7.4 Clerestory windows 7.4.1 Later windows 8 The Crypt (9thxe2x80x9311th century) 9 High Altar (18th century) 10 Choir wall (16th-18th centuries) 11 Labyrinth 12 Chapel of Piatus of Tournai, bishop's palace and gardens 13 Construction 14 Restoration 15 The School of Chartres 16 Social and economic context 17 Pilgrimages and the legend of the Sancta Camisa 18 Popular culture 19 Chartres Light Celebration 20 See also 21 References 22 Bibliography 23 External links
The nave, aisles, and lower levels of the transepts of the new cathedral were probably completed first, then the choir and chapels of the apse; then the upper parts of the transept.
When he finished this, he began constructing a new jubxc3xa9 or Rood screen that separated the ceremonial choir space from the nave, where the worshippers sat.
The ceremony took place in the choir of the church, after which the King and the Bishop mounted the rood screen to be seen by the crowd in the nave.
The rood screen that separated the liturgical choir from the nave was torn down and the present stalls built.
Length: 130 metres (430xc2xa0ft) Width: 32 metres (105xc2xa0ft) / 46 metres (151xc2xa0ft) Nave: height 37 metres (121xc2xa0ft); width 16.4 metres (54xc2xa0ft) Ground area: 10,875 square metres (117,060xc2xa0sqxc2xa0ft) Height of south-west tower: 105 metres (344xc2xa0ft) Height of north-west tower: 113 metres (371xc2xa0ft) 176 stained-glass windows Choir enclosure: 200 statues in 41 scenes
Chartres floorplan (1856) by Eugxc3xa8ne Viollet-le-Duc (1814xe2x80x931879) The elevation of the nave, showing the gallery on the ground level; the narrow triforium; and, on top, the windows of the clerestory Flying buttresses supporting the upper walls and counterbalancing the outward thrust of the vaulted ceiling, allowing thin walls and greater space for windows Flying buttresses seen from above The vaults of the roof, connected by stone ribs to the pillars below, combined with the flying buttresses outside make possible thinner walls, and the great height and large windows of the Cathedral
A two-bay narthex at the western end opens into a seven bay nave leading to the crossing, from which wide transepts extend three bays each to north and south.
The nave and transepts are flanked by single aisles, broadening to a double-aisled ambulatory around the choir and apse.
The cathedral has three great portals or entrances, opening into the nave from the west and into the transepts from north and south.
Nave and ambulatory[edit]
Notre Dame de Piliers statue and chapel off the nave Fragment of a reputed veil of Virgin Mary, displayed in the Chapel of the Martyrs
The nave, or main space for the congregation, was designed especially to receive pilgrims, who would often sleep in the church.
The nave itself was built after the fire, beginning in 1194.
The floor of the nave also has a labyrinth in the pavement (see labyrinth section below).
The two rows of alternating octagonal and round pillars on either side of the nave receive part of the weight of the roof through the thin stone ribs descending from the vaults above.
Whereas the lower windows in the nave arcades and the ambulatory consist of one simple lancet per bay, the clerestory windows are each made up of a pair of lancets with a plate-traceried rose window above.
The nave and transept clerestory windows mainly depict saints and Old Testament prophets.
The installation of the Vendxc3xb4me Chapel between two buttresses of the nave in the early 15th century resulted in the loss of one more lancet window, though it did allow for the insertion of a fine late-gothic window with donor portraits of Louis de Bourbon and his family witnessing the Coronation of the Virgin with assorted saints.
The labyrinth (early 1200s) is a famous feature of the cathedral, located on the floor in the center of the nave.
Labyrinths were found in almost all Gothic cathedrals, though most were later removed since they distracted from the religious services in the nave.
On certain days the chairs of the nave are removed so that visiting pilgrims can follow the labyrinth.
Either way, the opportunity was taken to begin a complete rebuilding of the choir and nave in the latest style.
Normally medieval churches were built from east to west so that the choir could be completed first and put into use (with a temporary wall sealing off the west end) while the crossing and nave were completed.
Canon Delaporte argued that building work started at the crossing and proceeded outwards from there,[47] but the evidence in the stonework itself is unequivocal, especially within the level of the triforium: the nave was at all times more advanced than ambulatory bays of the choir, and this has been confirmed by dendrochronology.
[48] The nave high vaults were erected in the 1220s, the canons moved into their new stalls in 1221 under a temporary roof at the level of the clerestory, and the transept roses were erected over the next two decades.
Early stages of cleaning and restoring the Choir of Chartres Cathedral (2009xe2x80x932019) Restoration in 2019; the cleaned and painted nave contrasts with the side aisle, darkened with age and soot
The project went further; the walls in the nave were painted white and shades of yellow and beige, to recreate an idea of the earlier medieval decoration.
Money-changers (an essential service at a time when each town or region had its own currency) had their benches, or banques, near the west portals and also in the nave itself.
[citation needed] Wine sellers plied their trade in the nave to avoid taxes until, sometime in the 13th century, an ordinance forbade this.
Today Chartres continues to attract large numbers of pilgrims, many of whom come to walk slowly around the labyrinth, their heads bowed in prayer xe2x80x93 a devotional practice that the cathedral authorities accommodate by removing the chairs from the nave on Fridays from Lent to All Saints' Day (except for Good Friday).
A little later, the nave and the choir, reconstructed as of 1194, effected for the first time an architectural formula which would be widely employed throughout the 13th century.
The monumental sculptures of Chartres Cathedral are valued both for their abundance and for their quality: the large ensembles, reliefs and statues, of the Royal Portail at the entrance to the nave, the six portals and two porches dating from 1210 at the north and south entrances to the transept, offer a complete panorama of Gothic sculpture from the moment when it broke from Romanesque traditions to attain the subtle balance of idealism and realism that characterises its apogee.
All the elements that made it an architectural reference, in particular its nave and choir, remain intact.