Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Chartres Cathedral' has mentioned 'Christ' in the following places:
Occurrence Sentence Text Source
It remains so to the present, attracting large numbers of Christian pilgrims, many of whom come to venerate its famous relic, the Sancta Camisa, said to be the tunic worn by the Virgin Mary at Christ's birth, as well as large numbers of secular tourists who come to admire the cathedral's architecture and historical merit.
Each of the three portals on the west facade (made 1145-55) focuses on a different aspect of Christ's role in the world; on the right, his earthly Incarnation, on the left, his Ascension or his existence before his Incarnation (the era "ante legem"), and, in the center, his Second Coming, initiating the End of Time.
Christ seated on a throne, surrounded by the symbols of the Evangelists; a winged man for St. Matthew, a lion for St. Mark; a bull for St. Luke; and an eagle for St. John.
It depicts Christ on a cloud, supported by two angels, above a row of figures representing the labours of the months and signs of the Zodiac[20]
Each of the three portals focuses on a different aspect of Christ's role in salvation history; his earthly incarnation on the right, his Ascension or existence before the Incarnation on the left, and his Second Coming (the Theophanic Vision) in the center.
The tympanum shows Christ standing on a cloud, apparently supported by two angels.
Some see this as a depiction of the Ascension of Christ (in which case the figures on the lower lintel would represent the disciples witnessing the event) while others see it as representing the Parousia, or Second Coming of Christ (in which case the lintel figures could be either the prophets who foresaw that event or else the 'Men of Galilee' mentioned in Acts 1:9-11).
In the center of the tympanum is Christ within a mandorla, surrounded by the four symbols of the evangelists (the Tetramorph).
Above is the Coronation of the Virgin: Mary, in her living body, will rule the heavens alongside her Son Christ.
The statuary of the north transept portals is devoted to the Old Testament, and the events leading up to the birth of Christ, with particular emphasis on the Virgin Mary.
Christian Martyrs framing the South Portal (13th century); including the "Perfect Knight" Roland,(far left) and Saint George (second from right) Central doorway of the South Portal, with column statue of Christ.
The south portal, which was added later than the others, in the 13th century, is devoted to events after the Crucifixion of Christ, and particularly to the Christian martyrs.
On top of the porch, between the gables, are pinnacles in the arcades with statues of eighteen Kings, beginning with King David, representing the lineage of Christ, and linking the Old Testament and the New.
Iconography of the various elements of the south transept portals Left (west) Portal Central Portal Right (east) Portal Jamb figures: Martyr saints The Apostles Confessor saints Lintel: The martyrdom (by stoning) of St Stephen The weighing of souls and separation of the blessed and the damned Scenes from the lives of St Nicholas of Bari and St Martin of Tours Tympanum: Stephen's beatific vision of Christ Christ showing his wounds with the Virgin and St John and angels bearing the Arma Christi Further scenes from the lives of St Nicholas and St Martin Archivolts: Assorted martyr saints Choirs of angels and the dead rising from their tombs / Prophets Life of St Giles in lower register, other Confessors in the remaining voussoirs
The statue of Mary and the infant Christ, called Our Lady of the Pillar, replaces a 16th-century statue which was burned by the Revolutionaries in 1793.
Lancet windows under the west rose window; the Jesse Window or genealogy of Christ (right); Life of Christ (center), and the Passion of Christ (left) Notre-Dame de la Belle-Verrixc3xa8re xc2xbb or the Blue Virgin (c.1180 and 1225) Detail of the Notre-Dame de la Belle-Verrixc3xa8re
The right window, the Jesse Window, depicts the genealogy of Christ.
The middle window depicts the life of Christ, and the left window depicts the Passion of Christ, from the Transfiguration and Last Supper to the Resurrection.
The Virgin is depicted wearing a blue robe and sitting in a frontal pose on a throne, with the Christ Child seated on her lap raising his hand in blessing.
The lower part of the window, showing scenes from the infancy of Christ, dates from the main glazing campaign around 1225.
A central oculus showing Christ as the Judge is surrounded by an inner ring of twelve paired roundels containing angels and the Elders of the Apocalypse and an outer ring of 12 roundels showing the dead emerging from their tombs and the angels blowing trumpets to summon them to judgment.
The south transept rose (10.5xc2xa0m diameter, made c.1225xe2x80x9330) is dedicated to Christ, who is shown in the central oculus, right hand raised in benediction, surrounded by adoring angels.
The central lancet beneath the rose shows the Virgin carrying the infant Christ.
Scene from the Good Samaritan window; Christ tells the Good Samaritan parable to the Pharisees The Good Samaritan window Shoemakers at work in the Good Samaritan window
The screen has forty niches along the ambulatory filled with statues by prominent sculptors telling the life of Christ.
In 876 the cathedral acquired the Sancta Camisa, believed to be the tunic worn by Mary at the time of Christ's birth.
To this must be added the three stained-glass windows of the 12th century above the Royal Portail and the large roses of the 13th century on the three faxc3xa7ades: on the west, the Last Judgement; on the north, the Glorification of the Virgin; on the south, the Glorification of Christ.