Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Catalan Romanesque Churches of the Vall de Boí' has mentioned 'Facade' in the following places:
Occurrence Sentence Text Source
Ocular windows are common in Italy, particularly in the facade gable and are also seen in Germany.
The facade of Notre Dame du Puy, le Puy en Velay, France, has a more complex arrangement of diversified arches: Doors of varying widths, blind arcading, windows and open arcades.
In France, Saint-xc3x89tienne, Caen, presents the model of a large French Romanesque facade.
It is a symmetrical arrangement of nave flanked by two tall towers each with two buttresses of low flat profile that divide the facade into three vertical units.
The towers rise above the facade through three further tiers, the lowest of tall blind arcading, the next of arcading pierced by two narrow windows and the third of two large windows, divided into two lights by a colonnette.
This facade can be seen as the foundation for many other buildings, including both French and English Gothic churches.
The churches of San Zeno Maggiore, Verona, and San Michele, Pavia, present two types of facade that are typical of Italian Romanesque, that which reveals the architectural form of the building, and that which screens it.
Church of San Zeno, Verona, Italy, The facade is neatly divided vertically and horizontally.
On the facade this pattern is overlaid with architectonic decoration of blind arcading below tiers of dwarf galleries.
The Collegiate Church, Empoli, Italy, represents a screen facade.
The polychrome marble decoration divides the facade into zones while giving little indication of the architectural form behind it.
The facade here, richly decorated with architectonic and sculptural forms, has much in common with that at Empoli in that it screens the form of the building behind it.
The facade, c. 1200, with polychrome plaster, follows the paired-tower model found at several Rhineland churches.
Parma Cathedral, Italy, 1178, has a screen facade ornamented with galleries.
In northern France, two large towers, such as those at Caen, were to become an integral part of the facade of any large abbey or cathedral.
Romanesque churches generally have a single portal centrally placed on the west front, the focus of decoration for the facade of the building.
Porches sometimes occur as part of the original design of a facade.
Elsewhere, porches of various dates have been added to the facade or side entrance of existent churches and may be quite a substantial structure, with several bays of vaulting supported on an open or partially open arcade, and forming a sort of narthex as at the Church of St Maria, Laach.See above In Spain, Romanesque churches often have large lateral porches, like loggias.
The arcading on the facade of Lucca Cathedral, Tuscany (1204) has many variations in its decorative details, both sculptural and in the inlaid polychrome marble.
This can be seen on the towers of Tournai Cathedral and on the western towers and facade at Ely Cathedral.
[23][43] Other variations that appear to hover between Romanesque and Gothic occur, such as the facade designed by Abbot Suger at the Abbey of Saint-Denis, which retains much that is Romanesque in its appearance, and the Facade of Laon Cathedral, which, despite its Gothic form, has round arches.
Churches showing the transition between Romanesque and Gothic The facade of Laon Cathedral, 1225, a Gothic cathedral, maintains rounded arches and arcading in the Romanesque manner.
The facade of the Cathedral of Genoa has both round and pointed arches, and paired windows, a continuing Romanesque feature of Italian Gothic architecture.
Romanesque Revival architecture Natural History Museum, London, Alfred Waterhouse, 1879 The faxc3xa7ade of Catholic church of Saint-Pierre-le-Jeune, Strasbourg (built 1888xe2x80x931893), is of a type adopted for many churches in the early 20th century.
see above Stanford Memorial Church at Stanford University, US, is a loose interpretation of a Romanesque facade.