Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Burgos Cathedral' has mentioned 'Transept' in the following places:
Occurrence Sentence Text Source
After a hiatus of almost 200 years, it went through major embellishments of great splendor in the 15th and 16th centuries: the spires of the main facade, the capilla del Condestable, 'Chapel of the Constable' and dome of the transept.
Transept, South arm.
Transept, North arm and Golden staircase.
The work progressed very quickly and in 1238, year of the death of the founder prelate, buried in the presbytery, the front and much of the transept and the naves were already almost completed.
In the 15th century the Colonia family, originally from Cologne, incorporated the open spires of the main facade (between 1442 and 1458), the dome over the transept and the Chapel of the Constables.
Regarding the rib star freely suspended in the center tower of the transept, it has laid a glass surface that achieves the complete enlightenment of the fabric of the rib.
Less known as Sacramental Door, this door, opened in the southern transept and looking out to the Plaza del Rey San Fernando, which is accessed saving a steep staircase, was built approximately 1230 and 1240.
In the gable of the north transept, at the height of the calle Fernxc3xa1n Gonzxc3xa1lez but at a level, several meters higher than the floor of the temple opens the Door of the Coronerxc3xada, or Door of the Apostles, which from inside the Cathedral communicates with the nave through the Golden Staircase by Diego de Siloxc3xa9.
The portals of the transept (the Puerta del Sarmental to the south and the Puerta de la Coronerxc3xada to the north) may also be compared to the great sculpted ensembles of the French royal domain, while the enamelled, brass tomb of Bishop Mauricio resembles the so-called Limoges goldsmith work.
The workshop was composed of an international team, and among the most famous architects were Juan de Colonia, soon relieved by his son Simon (responsible for the towers and open spires of the facade, the Constable's chapel, and the Saint Anne's chapel) and Felipe de Borgoxc3xb1a, assisted by numerous collaborators (responsible for the choir, cupola, and lantern tower over the transept crossing).
When two of these architects, Juan de Vallejo and Juan de Castaxc3xb1eda, completed the prodigious cupola with its starred vaulting in 1567, the Burgos Cathedral unified one of the greatest known concentrations of late Gothic masterpieces: the Puerta de la Pellejerxc3xada (1516) of Francisco de Colonia, the ornamental grill and choir stalls, the grill of the chapel of the Presentation (1519), the retable of Gil de Siloe in the Constable's chapel, the retable of Gil de Siloe and Diego de la Cruz in Saint Anne's chapel, the staircase of Diego de Siloe in the north transept arm (1519), the tombs of Bishop Alonso de Cartagena, Bishop Alonso Luis Osorio de Acuxc3xb1a, the Abbot Juan Ortega de Velasco, the Constable Pedro Hernxc3xa1ndez de Velasco and, his wife Doxc3xb1a Mencxc3xada de Mendoza, etc.