Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Buddhist Monuments at Sanchi' has mentioned 'Well' in the following places:
Occurrence Sentence Text Source
Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding.
Sanchi is the center of a region with a number of stupas, all within a few miles of Sanchi, including Satdhara (9xc2xa0km to the W of Sanchi, 40 stupas, the Relics of Sariputra and Mahamoggallana, now enshrined in the new Vihara, were unearthed there), Bhojpur (also called Morel Khurd, a fortified hilltop with 60 stupas) and Andher (respectively 11xc2xa0km and 17xc2xa0km SE of Sanchi), as well as Sonari (10xc2xa0km SW of Sanchi).
Given the rather decentralized and fragmentary nature of the Shunga state, with many cities actually issuing their own coinage, as well as the relative dislike of the Shungas for Buddhism, some authors argue that the constructions of that period in Sanchi cannot really be called "Shunga".
The style of the Shunga period decorations at Sanchi bear a close similarity to those of Bharhut, as well as the peripheral balustrades at the Mahabodhi Temple in Bodh Gaya.
3 was built during the time of the Shungas, who also built the railing around it as well as the staircase.
[46][47] Greek influence,[48] as well as Persian Achaemenid influence have been suggested.
The pillar capital in Bharhut, dated to the 2nd century BCE during the Sunga Empire period, also incorporates many of these characteristics,[54][55] with a central anta capital with many rosettes, beads-and-reels, as well as a central palmette design.
[63][64] This famous view shows warfare techniques at the time of the Satavahanas, as well as a view of the city of Kushinagar of the Mallas, which has been relied on for the understanding of ancient Indian cities.
The gateways depict various scenes of the life of the Buddha, as well as events after his death, in particular the War of the Relics and the efforts of emperor Ashoka to spread the Buddhist faith.
The whole of the right jamb and half of the left are new and blank, as well as the west end of the lowest architrave, the east end of the middle architrave, and the six vertical uprights between the architraves.
The whole of the right jamb and half of the left are new, as well as the west end of the lowest architrave, the east end of the middle architrave, and the six vertical uprights between the architraves.
Pillars External faces The left external face consists in a foliage scroll inhabited by numerous animals and garlands, as well as an amorous couple repeated several time.
They are crowned by two large decorated Shrivatsa symbols in the round, symbols of Buddhism, as well as the remnants of a Dharmachakra (Wheel of the Law) at the center.
The external side of the left pillar (facing the east) doesn't have narrative reliefs, but only displays Buddhist symbols as well as intricate vegetal designs.
The Eastern Gateway describes historical events during the life of the Buddha, as well as several miracles performed by the Buddha.
The illumination of the Buddha occurred here under the Bodhi Tree at Bodh Gaya, and Asoka built a Diamond throne at the location, as well as a temple to protect the Bodhi Tree within.
This scene, which was well known to all Buddhists, serves to identify the city here represented as Kapilavastu.
This kind of scrolls are generally considered to be of Hellenistic origin, and were to be used extensively in the Greco-Buddhist art of Gandhara as well.
The rule of the Satavahanas in the area Sanchi during the 1st centuries BCE/CE is well attested by the finds of Satavahana copper coins in Vidisha, Ujjain and Eran in the name of Satakarni, as well as the Satakarni inscription on the Southern Gateway of Stupa No.1.
The Western Satraps remained well into the 4th century as shown by the nearby Kanakerha inscription mentioning the construction of a well by the Saka chief and "righteous conqueror" Sridharavarman, who ruled circa 339-368 CE.
French sought the permission of Shahjehan Begum to take away the eastern gateway which was quite well preserved, to a museum in France.