Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Buddhist Monuments at Sanchi' has mentioned 'Relief' in the following places:
Occurrence Sentence Text Source
Post relief.
Above this is a circular cable necking, then a second circular necking relieved by a bead and lozenge pattern, and, finally, a deep square abacus adorned with a railing in relief.
[36] The inscription appears on the relief of a stupa at the center of the top architrave, at the rear.
It is written in three lines in early Brahmi script over the dome of the stupa in this relief.
In this relief, the king is seen seated on an elephant, holding the relics on his head.
[65] "The siege of Kushinagara by the seven kings", another relief on the same subject.
Ashoka in grief, supported by his two queens, in a relief at Sanchi.
The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".
Then the relief above shows the Bodhi Tree prospering inside its new temple.
Other versions of the relief depicting the temple for the Bodhi Tree are visible at Sanchi, such as the Temple for the Bodhi Tree (Eastern Gateway).
To what particular incident this relief refers, is not known.
See also: Relics associated with Buddha This Sanchi relief permitted this reconstruction of the city of Kushinagara circa 500 BCE.
[97] This particular relief was dedicated by the Guild of Ivory Carvers of Vidisha (horizontal inscription on the lintel), suggesting that a part of the gateways at least was made by ivory carvers.
Hence, the foreground of the relief is shown covered with ancient Indian coins ( karshapanas ), just as it is in the similar relief at Bharhut, where the details of the coins are more in evidence.
The long open pavilion (mandapa) calls to mind the one at Sravasti, which is portrayed in the Bharhut relief.
The relief shows 18 of these foreigners and 4 Gandharva celestial deities in the sky above.
In the center of the relief is the miraculous ladder by which the Buddha descended, attended by Brahma and Indra.
In the relief, this triple miracle is dramatically represented.
The princely figures in the corresponding relief at the right end appear to be repetitions of some of the rival claimants.
Bottom panel Full relief.
It was when the Buddha was seated beneath the banyan tree (nyagrodha) shortly after his enlightenment, that this entreaty was made, and it is a banyan tree with the throne beneath that is depicted in this relief.
Down the panel of the relief flows, from top to bottom, the river Ganges.
The Persepolitan capital and square abacus ornamented with a balustrade in relief are cut entire from a single block of stone.