Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Buddhist Monuments at Sanchi' has mentioned 'Indra' in the following places:
Occurrence Sentence Text Source
In the lowest panel of the inner face is a company of deities in the Trayastrimsa heaven, where Indra held sway, rejoicing over and worshiping the hair of the Bodhisattva.
[101] 5th panel Paradise of Indra (nandana).
Perhaps, like the scene on the gateways of Stupa No3, it may represent the Paradise of Indra (nandana), where pleasure and passion held sway.
Visit of Indra to the Buddha in the Indrasaila cave near Rajagriha.
Below is the company of Indra in attitudes of worship, but which of these figures represents Indra and which his musician Panchasikha who accompanied him, it is not possible to determine.
In the center of the relief is the miraculous ladder by which the Buddha descended, attended by Brahma and Indra.
Top panel Visit of Indra and Brahma to the Buddha.
The visit of Indra and Brahma to the Buddha takes place in the town of Uruvilva.
Near the center of the panel is the throne indicating the presence of the Buddha, surmounted by the umbrella; behind it, Indra and Brahma standing in an attitude of adoration; in the background, the houses of Uruvilva and the people at their daily tasks.
Pillars Left pillar, Front face Unique panel Paradise of Indra.
Probably the "Paradise of Indra" (nandana) with the river Mandakini in the foreground.
Owing to the king's penitence and his parents' sorrow Indra intervenes and allows Syama to be healed and his parents' sight to be restored.
Then, to the left, we see the figure of the King thrice repeated, first shooting the lad in the water, then with bow in hand, then standing penitent with bow and arrow discarded; and in the left top corner are the father, mother and son restored to health, and by their side the god Indra and the king.
The deva with the giant head, riding either on the elephant or on the lion to the right of the panel, is probably meant to be Indra or Brahma.
Then Brahma, Indra, the four Lokapalas (Regents of the Four Quarters) and the archangels of the heavens approached him and besought him to turn the Wheel of the Law.
At the top of the panel are gandharvas bringing garlands and below them, on each side of the tree, come Indra and Brahma, riding on lion-like creatures.
Bottom front architrave The only scene which differs materially from those on the gateways of the Great Stupa is the one delineated on the front face of the lowest architrave, which appears to represent the Heaven of Indra (Nandanavana).
In the centre is the pavilion of the god, with Indra himself seated on a throne surrounded by women attendants.
In the foreground is the river MandakinI, which bounds the heaven of Indra, and to right and left of the pavilion are mountains and jungle forming a pleasure-garden for the gods and demigods who are taking their case therein.Then, in the corners next to the false capitals, are Naga kings seated with their attendants on the folds of seven-hooded Nagas, whose coils mingled with the waters of the river are carried through to the ends of the architrave, and go to form the spirals adorning its extremities.