Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Buddhist Monuments at Sanchi' has mentioned 'Bharhut' in the following places:
Occurrence Sentence Text Source
Bharhut is 300xc2xa0km to the northeast.
The style of the Shunga period decorations at Sanchi bear a close similarity to those of Bharhut, as well as the peripheral balustrades at the Mahabodhi Temple in Bodh Gaya.
The reliefs are dated to circa 115 BCE for the medallions, and 80 BCE for the pillar carvings,[27] slightly before the reliefs of Bharhut for the earliest, with some reworks down to the 1st century CE.
Similarities have been found in the designs of the capitals of various areas of northern India from the time of Ashoka to the time of the Satavahanas at Sanchi: particularly between the Pataliputra capital at the Mauryan Empire capital of Pataliputra (3rd century BCE), the pillar capitals at the Sunga Empire Buddhist complex of Bharhut (2nd century BCE), and the pillar capitals of the Satavahanas at Sanchi (1st centuries BCE/CE).
The pillar capital in Bharhut, dated to the 2nd century BCE during the Sunga Empire period, also incorporates many of these characteristics,[54][55] with a central anta capital with many rosettes, beads-and-reels, as well as a central palmette design.
The Sanchi pillar capital is keeping the general design, seen at Bharhut a century earlier, of recumbent lions grouped around a central square-section post, with the central design of a flame palmette, which started with the Pataliputra capital.
Another rather similar foreigner is also depicted in Bharhut, the Bharhut Yavana (circa 100 BCE), also wearing a tunic and a royal headband in the manner of a Greek king, and displaying a Buddhist triratna on his sword.
Jetavana story, Bharhut, 2nd century BCE.
Hence, the foreground of the relief is shown covered with ancient Indian coins ( karshapanas ), just as it is in the similar relief at Bharhut, where the details of the coins are more in evidence.
The long open pavilion (mandapa) calls to mind the one at Sravasti, which is portrayed in the Bharhut relief.
Another rather similar foreigner is also depicted in Bharhut, the Bharhut Yavana, also wearing a tunic and a royal headband in the manner of a Greek king, and displaying a Buddhist triratna on his sword.
The Mahakapi Jataka in Bharhut.
[135] It is also, with Bharhut, the oldest.