Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Blenheim Palace' has mentioned 'Park' in the following places:
Occurrence Sentence Text Source
Following the palace's completion, it became the home of the Churchill (later Spencer-Churchill) family for the next 300 years, and various members of the family have wrought changes to the interiors, park and gardens.
Contents 1 Churchills 2 Site 3 Architect 4 Funding the construction 5 Design and architecture 5.1 Palace chapel 6 Interior 7 Pipe organs 8 Park and gardens 9 Failing fortunes 10 9th Duke of Marlborough 11 Second World War 12 The palace today 13 See also 14 Footnotes 15 References 16 External links
The estate given by the nation to Marlborough for the new palace was the manor of Woodstock, sometimes called the Palace of Woodstock, which had been a royal demesne, in reality little more than a deer park.
King Henry I enclosed the park to contain the deer.
[14] When the park was being re-landscaped as a setting for the palace the 1st Duchess wanted the historic ruins demolished, while Vanbrugh, an early conservationist, wanted them restored and made into a landscape feature.
However, when Vanbrugh's wife visited the completed Blenheim as a member of the viewing public in 1725, the Duchess refused to allow her even to enter the park.
The Grand Bridge in Blenheim Park 1722-24 by Vanbrugh
The Hensington Gates the main entrance to Blenheim Park 1709 by Hawksmoor
Following the Duke's death in 1722, completion of the palace and its park became the Duchess's driving ambition.
Vanbrugh's assistant Hawksmoor was recalled and in 1723 designed the "Arch of Triumph", based on the Arch of Titus, at the entrance to the park from Woodstock.
This view of the Duke as an omnipotent being is also reflected in the interior design of the palace, and indeed its axis to certain features in the park.
Park and gardens[edit]
Blenheim Palace Park and gardens in 1835
Blenheim sits in the centre of a large undulating park, a classic example of the English landscape garden movement and style.
When Vanbrugh first cast his eyes over it in 1704 he immediately conceived a typically grandiose plan: through the park trickled the small River Glyme, and Vanbrugh envisaged this marshy brook traversed by the "finest bridge in Europe".
Also in the park, completed after the 1st Duke's death, is the Column of Victory.
Following the 1st Duke's death the Duchess concentrated most of her considerable energies on the completion of the palace itself, and the park remained relatively unchanged until the arrival of Capability Brown in 1764.
The extensive landscaped park, woodlands and formal gardens of Blenheim are Grade I listed on the Register of Historic Parks and Gardens.
[43] Blenheim Park is a Site of Special Scientific Interest.
Woodstock gate to park, 1723 by Nicholas Hawksmoor
The palace, park, and gardens are open to the public on payment of an entry fee (maximum xc2xa324.90 as of Octoberxc2xa02016[update]).
The palace is linked to the gardens by a miniature railway, the Blenheim Park Railway.
The public have free access to about five miles (8xc2xa0km) of public rights of way through the Great Park area of the grounds, which are accessible from Old Woodstock and from the Oxfordshire Way, and which are close to the Column of Victory.
The Palace sits within a large walled landscape park, the structure by Vanbrugh overlaid by the designs of Lancelot xe2x80x9cCapabilityxe2x80x9d Brown from 1761 onwards.
The design and building of the Palace between 1705 and 1722 represented the beginning of a new style of architecture and its landscaped Park, designed by Lancelot xe2x80x9cCapabilityxe2x80x9d Brown, is considered xe2x80x9ca naturalistic Versaillesxe2x80x9d.
It represents a unique architectural achievement celebrating the triumph of the English armies over the French, and the Palace and its associated Park have exerted great influence on the English Romantic movement which was characterised by the eclecticism of its inspiration, its return to natural sources and its love of nature.
Criterion (ii): By their refusal of the French models of classicism, the Palace and Park illustrate the beginnings of the English Romantic movement, which was characterised by the eclecticism of its inspiration, its return to national sources and its love of nature.
Within the wall, the layout of the principal buildings remains unaltered since their construction, and the overall structure of the landscaped park layout remains largely as set out by Vanbrugh and Brown.
The buildings and Park were laid out over an earlier Roman and medieval landscape, remnants of which are still visible through the Vanbrugh and Brown landscapes.
The Park contains important veteran trees.
Because of climate change and the greater incidence of drought, adjustments have to be made to the mix of species used in conserving the park landscape.
The overall relationship between the Baroque Palace and its Park is still clearly in place and the Outstanding Universal Value of the property can be very readily understood despite the early 20th century changes to the landscape.
The form and design of the Palace and Park survive well and there is a high degree of survival of fabric and indeed original fittings and furnishings.
The property as a whole is designated as a Grade 1 registered Park and Garden and was given National Heritage tax exemption status in 1999 in recognition of its important architecture, its outstanding scenic, historic landscape, and the outstanding importance of the buildingsxe2x80x99 contents and their intimate association with the property.
Forty five key buildings on the site are Grade 1 and Grade 2* Listed Buildings, with the park wall designated Grade 2.
There are 5 scheduled ancient monuments within the Park.
The lakes and High Park are designated as Sites of Special Scientific Interest (SSSI) and the ancient woodland and hedgerows are both protected.
The Park is open through the year and the Palace and Formal Gardens are open from mid-February to mid-December each year.
Firm implementation of existing policies is important to provide effective protection of the setting of the World Heritage property and it will be important to ensure that the management of the Park prioritises conservation of the elements of the landscape that reflect the work of Vanbrugh and Brown.